V4ULT is a project by Anna Mikkola and Hanna Nilsson.
(C) Anna Mikkola & Hanna Nilsson
Archive:
V4ULT Episode 1
A gesture waves us on, answering our own wave, Nero, 2014
Breathing Kevlar, Perforated Skin
Website produced in collaboration with PWR Studio
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who is permitted to pray ? an imaginary line drawn on the surface of the earth, 20 years of talking about how to share the waters of the great Aral Sea basin, deliberate communication, complete silence.
entreat / retreat / (in)trust
a process which causes bleeding to stop, the construction of an entire wall begins with a temporary frame, compressed iteratively, it takes some time to dry out, we need to wait until the people love their entire land, breath holding, (tear duct), other types of loss are abstract, arid, a dry cool mist.
A transboundary conservation initiative, wild law and human(e) ecology, renewable energy on disturbed lands, the psychic life of nations, grief as a political resource, complete forgiveness in advance for everything that has happened or could happen, desert bloom, partial rebirth, red dust.
Damascus has seen all that ever occurred on earth and still she lives,,
#chronic_wounds #seed #amphoterism
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An eros-modulating suite contorting sonofacts from an altær-event of une entendre situationniste. There are three pragmatic, conceptual elements to this piece. First, it confronts apathy and distaste as intervention in the experience of music. Second, it addresses listening-decay in music production (decomposition). Third, this piece translates an event in its enfolded sonic particularity, re-interpreting this initial localized diffusion through abstracted universal frames of reference placed into other architectures. A synthetic evental topoi: editerosions.
soundcloud.com/yoneda-lemma
http://lendl.ca/
An eros-modulating suite contorting sonofacts from an altær-event of une entendre situationniste. There are three pragmatic, conceptual elements to this piece. First, it confronts apathy and distaste as intervention in the experience of music. Second, it addresses listening-decay in music production (decomposition). Third, this piece translates an event in its enfolded sonic particularity, re-interpreting this initial localized diffusion through abstracted universal frames of reference placed into other architectures. A synthetic evental topoi: editerosions.
soundcloud.com/yoneda-lemma
http://lendl.ca/