»They series No. 6« (1999) by Hai Bo.
Drawing performance at the Second Guangzhou Triennial by Liu Ding.
“Suitcase House” by Gary Chang: The dwelling is vertically stacked in layers. Although non-hierarchical in its unoccupied form, the space becomes alive by reacting to the specifics of its inhabitants. The space transforms itself with the help of mobile elements integrated with the architecture. These hidden functions are contained in the bottom stratum of the building. A single volume metamorphoses into a sequence of rooms, and concealed amenities reveal themselves, differentiating the spaces.
“The Miniature Long March” by Qin Ga. Long March Space: “Mao’s ‘Long March’ symbolized the deliverance of the Communist ideal to the Chinese proletariat. It is with this symbolism in mind that we now choose to march contemporary art out to China’s peripheral population.”
»Knickknack Peddler« by Wang Qingsong.
»Packman« by Li Song, dated to the Song Dynasty.
Further photo work of Wang Qingsong.
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