“Extended Mirror”, 2008 by Troels Sandegård.
»Crystal World (after J.G.Ballard)«, 2006 by Ann Lislegaard.
“Soil Core Samples from The Lightning Field” by Uffe Holm. (Adhesive foil, fluorescent light tubes, lightning fixtures, electrical wires, timer).
“Pond of water-lilies“, 2004
“Tomorrow is today“, 2006 – A film from the date line in Fiji at Taveuni Island. The video show two parallel projections, one from each side of the date line. Projects by Nikolaj Recke.
“Supergas” by Superflex. In 1997, Superflex installed and tested the first Superflex biogas system. The experiment was carried out at a small farm in central Tanzania, in co-operation with the African organisation SURUDE (Sustainable Rural Development). The plant produces approx. 3 cubic metres of gas per day from the dung from 2-3 cattle. This is enough for a family of 8-10 members for cooking purposes and to run one gas lamp in the evening.
During July 2006 the office of the exhibition space Casco was partially powered by energy generated by the daily spinning classes of a local fitness club. From the ongoing “The Power & Illumination Project” by Annika Lundgren. “The Power & Illumination Project” is based on the idea of using fitness-centers as sources of energy. The kinetic energy being generated here is converted to electrical energy, and is used to produce and mediate knowledge regarding the global energy balance and it’s political consequences.
Double Exposure (2007)
Monochrome Volumes (2007) consists of 4 identical cubic wooden boxes fixed side by side to a wall. Each box has a surface measure of 70 x 70 x 70 cm. The bottom, top, and the sides of the surfaces of boxes are painted with a nonreflecting white grounder. The front of each box is sealed with a 3 mm transluscent acrylic sheets. The inside walls of the boxes are covered with white boards on the top, bottom, sides and on the back. The inner volumes of the boxes are individually set apart because the back board inside each box is fixed in different distances to the front acrylic fronts creating four differentiated inner volumes. A special phenomena occurs by the use of the translucent acrylic fronts on the boxes with variable inner spaces. The acrylic refracts the light (natural sun light, artificial or a combination) that naturally shines through it, throws it into the inner space of the box as a diffuse light. Not being able to see the inner space of the box, the viewer perceives a reflection of its volume in the acrylic in the form of a two dimensional, vibrant, monochrome spatial surface. By AVPD (AVPD © Copyright 2007 / Photography by Anders Sune Berg © Copyright 2007).
“The Number of Days From Seeing a Work by On Kawara to Seeing a Work by Dan Flavin” by Uffe Holm.
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