»Ghosts«, 2005 by Simone Decker.
“Almost Every City in the World”, 2005 by Mike Bouchet. Book and video. A list of almost every city, town, village, or named living location in the world. The list has approximately 2,800,000 entries. The video displays the alphabetically listed names and has a total running time of over 500 hours. The book is a printed version of this list. It has over 30,000 pages.
»Entrée de la salle de projection des films selectionnes par Rirkrit Tiravanija (Entrance for the film program of Rirkrit Tiravanija)«, 2007 by Michael Riedel.
Film poster for “On Otto”, 2007 by Tobias Rehberger. Video. Instead of starting with a script, the work of this movie was started with the movie poster.
“Gamma Cephei Chandelier”, 2008 by Simon Dybbroe Møller.
In »Shipped Ships«, 2001 by Ayse Erkmen, three ferries from Shingu (Japan), Istanbul (Turkey) and Venice (Italy) were shipped to Frankfurt, Germany, where they remained for four weeks with their original crews and provided the public with ferry service on the Main River.
“Samplingplong”, 2006 by Jörg Niehage (Video).
»Whitening«, 2005, an istallation with retro-reflective tape and fabric (40 coats). By Simone Decker.
“Fireworks 15.03.06” by Sandra Kranich. Video.
“Impromptu” by Charly Steiger.
Audiovisual performances by Jan Jelinek and Karl Kliem.
“Surface” – performance by Tris Vonna-Michell. Video.
Eye-drawings, “Augenzeichnungen”, (92-93) are drawings done directly with the eyes, without the slightest interference of the hands – the organ of perception being turned into the organ of expression. By Jochem Hendricks.
“my Real Estate Business” is an exact virtual replica of the alternative space pool exhibition space as a representation in Second Life. By Dirk Fleischmann.
“1,5l PET water bottle transformed to a 0,5l bottle and filled with local tap water from Berlin”, “Ikea DIY”,
“Coca Cola Condensation Cube” (refers to Hans Haacke) and “Closed Biosphere” by Tue Greenfort.
The main issue in “The Unknown” by Marc Behrens is the spectator’s experience. But despite the installation being silent when not touched it is not just about modulating a sound space, but rather about the limits of perception which are explored by the sensor’s function.
“Chromatische Aberration” by Eno Henze,
Videosynthesizer “Trafo” together with Joreg.