VVORK

A still from »RowFlow–Finite Being«, 2011 by Theodoros Giannakis.

“Hang in there”, 2010 by Anders Clausen. Digital print, anodised aluminium frame.

Stills from »The Clock«, 2011, 24-hour video by Christian Marclay.

Still from »The Time Machine in alphabetical order«, 2010 by Thomson & Craighead.

“Break Down“, 2001 by Michael Landy. Video.

From the video installation “Faccetta Nera, Faccetta Bianca“, 2010 by Patrizio Di Massimo.

»Cherubim/Allegory of Love«, 2006 by Sarah Lucas.

»GreenScreenRefrigeratorAction«, 2010 by Mark Leckey.

»Various fungi – 20 species«, 1827, including the fly agaric (Amanita muscaria), death cap (Amanita phalloides) and Boletus and Agaricus species. By A. Cornillon. High Society.

“Untitled 3”, 2008 by Stuart Elliot. Oil, linen.

“Vitamin A”, 2009 by George Henry Longly. Nero Portoro marble agglomerate.

»When the Going was Good«, 2008 by David Raymond Conroy.

Still from »Game Keepers Without Game«, 2009 by Emily Wardill.

“Six Square Meters of RAM.”, 2010 by James Irwin. Radar absorbent material, anodised aluminium, white acrylic, MDF. Placed at the entrance to the exhibition space, “Six square meters of RAM” isolates the gallery behind it from external wireless and social networks. Carbon foam pyramids of Radar Absorbant Material prevent electromagnetic and sound waves from entering the room, and the gallery remains a space for isolated contemplation.

“this is your caption speaking”, 2009 by Alistair Frost. Oil on linen.

“~”, 2010 by Helen Marten.

“Witness”, 2009 by Mona Hatoum.

»THE WORLD AS IT IS AND THE WORLD AS IT COULD BE«, 2006 by Stephen Willats.

»Can I Live«, 2004,

»Revolution des Alltäglichen«, 2009 by Alexandre da Cunha.

Installation view of “The Grid System – A Regime”, 2010 by Jess Flood-Paddock and Spartacus Chetwynd.