VVORK

“Boiler”, 2010 by Kori Newkirk. Stainless steel, vinyl tubing, resin.

»Baby«, 2009-2010 by Thomas Houseago.

»Transom«, 2011 by Sarah Ludy.

“Mailing List”, 1991 by Stephen Prina. Two boxes of offset lithography on card stock and envelopes, birch veneer plywood.

“Rejected Products”, 2002 by Brandon Lattu.

»Untitled (Stage for Brief Spectacles)«, 2006 by Justin Beal.

Still from “3D Model with Fingerprints”, 2009 by Nate Hess.

“Self-Portrait as Franz West’s Sculpture”, 2006 by Carlee Fernandez.

»VENT DES GLOBES«, 2009 by Melodie Mousset.

»Untitled #229 (at Herb Ritts’)«, 2007 by Jeff Burton.

»SPECTRUM RIPPER«, 2008 by Sterling Ruby.

»Untitled«, 2010 by Aaron Curry.

»RWB DROPS«, 2010 by Sterling Ruby.

“SCLPTR“, 2005 by Euan Macdonald.

»DMT in a Speed Pipe«, 2010 by Michael Ray-Von.

Still from “Version”, 2004 by Mathias Poledna.

“Vows (Goldman, Emma. “Marriage and Love.” New York: Mother Earth Publishing Association, 1910.)”, 2006 by Andrea Bowers. Vows is a two channel video installation using Emma Goldman’s essay “Marriage and Love”, a text which analyzes how the social institution of marriage is an oppressive institution of capitalism and oppositional to love. A single bride reading sections of the Goldman text is projected on each screen. In the installation the two women face each other and appear to be listening and responding, as though reciting marriage vows.

»History of the World (Consolidated)«, 2008 by Eduardo Sarabia.

“Avenging the Ghosts and My Younger Self (situated between Minimalist Art and Arcade Games)”, 2002 by Andrea Bowers.

»Seizure«, 2006 by Amanda Ross-Ho.