787 Cliparts video by Oliver Laric.
Picture Disc “The With Us Against Reality or Against Us” by Anders Nordby & Ida Ekblad.
“The slow inevitable death of american muscle” by Jonathan Schipper. Two cars are slowly crashed into one another of the course of a month. The movement is so slow as to be invisible.
The Man of Speed’s helmet. By Juneau Projects.
The beauty royale, video installation with sculpted tv, woodchipper and dowel-mounted transducer microphones. A forest, computer system with small pine tree growing in casing.
Good morning captain, video installation with inkjet prints. A video of a scanner being dragged over a forest floor placed alongside printouts of the resulting scans.
Mic campfire. Six microphones were suspended above a large campfire in Grizedale Forest. The microphones were lowered into the fire in turn, the sound was relayed on a pa system. A rich future is still ours. A video installation where sheets of paper with attached transducer microphones are fed through a paper shredder.
Archival C print, vegi gel capsules, acrylic. “Little Boy Blue” by Andy Diaz Hope.
Two pop songs, How deep is your Love by the Bee Gees and Love by John Lennon, are acoustically transmitted through 400 feet of tubing through the museum. The songs emanate from the basement’s defunct boiler unit into a tubing system which follow the existing water and electrical pipes, winding through the hallways and stairwells of the building. The songs eventually emit from a funnel which hangs in the gallery space two floors above, leaking sound at points along the route.
»Can You Hear Me?« is a functional alternative telephone. It uses PVC pipe and mirrors to make an aural and visual communication link from the second floor lobby of the Sunshine Hotel, to the street below. Passers-by on the street can call up through the tube and be heard in the Sunshine’s communal lobby area. Both projects by Julianne Swartz.
An identical enlargement of a camera. At the exhibition, visitors could photograph the room and eachother with the giant camera.
2001, by Sonja Nilsson.
Natural Body Water. Throughout the year 2002–2003 Tavares Strachan collected all of his urine, distilled it, purified it, and bottled it for consumption. The custom bottle label includes all nutritional information.
Survival Kit, Multiple (Edition of 35). This kit consists of hand blown glass elements, metal instruments, and instructions for turning one’s own urine into purified drinking water.
The Problem of One Thing Existing Simultaneously. For this work Strachan duplicated an arbitrarily broken beer bottle piece-by-piece, transforming bits of trash into remnants of displaced matter and time. He used a found broken Budweiser beer bottle as a template to laser cut a duplicate broken bottle piece which rest side by side with the original.
Adversus solem ne Loquitor, 2003, is a periscope made out of books. A view through the cut pages to the miniature figure at the end and ultimately to the Siena sky. A homage to Galileo.
Enclosure, 2002.
Offshoot, 2004. A small Yew tree uproots itself, and strays from the path of its elders in search of
the unknown. By Anna Boggon.
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