VVORK

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“Savoureux de toi” by Philippe Mayaux.




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Still from »Babylon 3« by Peter Donaldson.




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»Powerbike« is a mixture of bike and playground slide by Olga Kisseleva.




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»Acoustic Survival Kit« consists of many acoustic atoms. Properly connected each acoustic module gives subtle signals and pulses to the environment. The surrounding light triggers the sound of the module. Changing light conditions affect the quality and level of the emitted frequencies. Signals of grouped modules interfere amongst themselves and with the sounds of the environment. By creating these links, bridges between private and public are established. By Miki Yui.




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“Defragmentation/red” by Yumi Kori and Bernhard Gal.




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“Minus”, a punk band’s entire equipment frozen at -25° Celsius immediately after their concert, arresting the transitory moment of the performance in a kind of standstill. By Christoph Büchel.




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A view of “Sprungkopf” and “These decades that we never sleep” by Terence Koh.




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“Cock Rock-it” by Dave Carbone.




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»Private Stages«. Collages by Peter Freitag. Amateur photographs of nudes are taken from the internet and obscured with the application of “dots” that are made with punchhole irons using the colours and structures from the original image. The process of manipulation remains visible on the image plane with dots and circles forming a recognizable silhouette of the vanished nude, undermining the original intention of the images through a simple process of interference.




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“Bee Trilogy”, Three LED sculptures with sound, based on observations of bees.

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“Close-up”, People are invited to have their picture taken by a camera as they enter the BBC building. The portraits are added to an ever-increasing database whose contents are then displayed through translucent LED screens installed along the ceiling. Projects by Ron Haselden.




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Erik Binder.

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Works by Erik Binder.




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»One Minute Communication – 3D« (2004) by Daniel Jackson. The sculpture consists of two aluminium spheres suspended in a glass and white enamelled steel cabinet. The spheres are in conversation. An artificial-life program controls the conversation which is relayed through the movement of the 2 spheres. The AI nature of the software dictates that the conversation will never be repeated – the gesture speed, the positioning and the length of movement are all determined by a combination of randomness and probability.




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“Der Letzte macht das Licht aus”,

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“House West”,

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“House America”, “House America/Stadion” and

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“House America/Watertowers” by Ulrich Vogl.




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