»Clear Sky Black Cloud« performed outside of The Metropolitan Museum of Art, New York. By Cai Guo-Qiang. Video.
“Unland” is a kind of recoded giant piece of origami approaches the themes of reality and geography in an abstract manner: a paper sculpture hung from thin nylon strings, becomes a projection sphere, a reservoir of associations, recalling, possibly, a cloud, or an iceberg, an island or artificial organism.
An imaginary seismogram investigates the field between language & drawing, static & dynamic, sound & image by mapping out the tensions between these conceptual tectonic plates: “Zero Bending” by Nikolaus Gansterer.
»Merda d’artista«, 1961. Piero Manzoni’s ninety cans of “Artist’s shit” were sold at the then-current price of gold, each with a net weight of thirty grams.
»Polpette al grasso di Marco« (2006). After having undergone a minor liposuction, Marco Evaristti used his own fat in the preparation of a meal of meatballs.
»Haul« (2005) by Katrin Sigurdardottir is made up of 11 small transport crates, that when installed together, display a continuous imaginary landscape. They are individual pieces as well as parts of a larger sculpture. As they find homes in dispersed locations, their exteriors document their travel with transit labels and other imprints.
»Logo.Hallucination« continuously monitors the images circulating on the Internet looking for hidden logos. It’s software is based on neural network image recognition. Pattern recognition is a field in full expansion, it constitutes a key technology in the domains of safety, of the management of the rights, of marketing… »Logo.Hallucination« proposes to use technologies of recognition of images in order to detect subliminal forms of logos or emblems, hidden (generally involuntarily) in the visual environment or in the whole of the images of the Internet. Every time a hallucination is detected, an email is sent to the owner of the image. By Christophe Bruno.
»Power Tools/Herramientas de Alto Poder« (Cusomized leafblower machine with goldplated engine, velvet and metalflake candy paintjob, 1999),
»Mothership with Daytons« (1998) and
»La X en la Frente/Malcolm Mex Cap« (Ironed lettering on baseball cap, 1992) by Rubén Ortiz-Torres.
“M.J.C.(module de jeux compact)”, “Ping-pong pipe”, “J.O.” and “Console”
from the ping-pong table series;
“Aire”,
“Le plus long ballon du monde” and “Un point c’est tout” by Laurent Perbos.
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