»doomdrum«, 2005 and »Elemental Exposure«, 2003, by Nick Mangan.
»The Coming Crisis in Real-Time Environments: A Dromological Analysis« by Ronald E. Purser.
“The Visual Topography of a Generation Gap ( I, II, III)” by Daniel Bejar. This video installation consists of a set of keys and a video. Each set of keys began with an original key. A copy was made from each original key, then a copy was made from that copy. This process was repeated until the original keys information was destroyed, resulting in the topography of a generation.
Two unattended computers send endlessly bouncing out-of-office auto-responses to each other. “Permanent Vacation” by Cory Arcangel.
»INFINITY X 10« (program to repeat the scene “The Infinite and Beyond” from “2001: a Space Odyssey” ten times, offset by a frame) by Charles Broskoski.
»bausatz noto ∞« (1998). Four Technics SL-1210 turntables are integrated into a table. On each of these turntables rests a specially produced vinyl record with 12 endless grooves each of which provides the visitor with the opportunity to play several sound-loops endlessly. By Carsten Nicolai.
»CCKW (counter clockwise)«, 2001. CCKW is an istallation based on a backwards running clock which hangs above a water surface. By Szabolcs KissPal.
»Beautiful Times«, 2006. The clock only shows selected Beautiful Times. The categories are mirroring (22:55), repeating (7:07), up- or countdown (12:34 or 5:43) and turning around (6:09). A Beautiful is displayed as long as it takes till the next one. The clock is synchronized with a normal clock. By Yasser Ballemans.
“House cats” and
“Still perfect lovers” – After Felix Gonzalez-Torres. Pair of cellophaned, unconsumed clocks. By Jack Falanga.
»Big Crunch Clock« (2005) is a digital clock that counts backwards the five billion years left before the sun explodes. It has 20 numbers: from the billions of years to the tenths of a second, and it is designed to be able to function with solar energy – the same energy that will one day destroy it. By Gianni Motti.
Typography by Polimekanos for Sebastian Wrong’s “Font Clock” (for Esablished & Sons).
»Cancelled Count«, 2003. The Cancelled Count clock is mounted on a motor which runs counter-clockwise at the speed of one rpm. Both the hour hand and numbers spin backwards while the second hand, which runs clockwise at one rpm, remains static.
»Forwards and Reverse« (2005) is a backwards running clock which is displayed beside a mirror. When viewed in the mirror, the numerals and clock motion run forwards in a coherent manner. By James Hopkins.
»Untitled« (Perfect Lovers), 1991. These two identical, adjacent, battery-operated clocks were initially set to the same time, but, with time, they will inevitably fall out of sync. By Felix Gonzalez-Torres.