VVORK

“Silent Barrage“, 2008-2009 by Philip Gamblen, Guy Ben-Ary, Peter Gee, Nathan Scott and Brett Murray in collaboration with Steve Potter, Douglas Swehla and Stephen Bobic.

“75P”, 2004 by Henrik Menné. Dyed paraffin wax, iron, heating element, engine.

“The Idea of a Tree“, 2008 by Katharina Mischer and Thomas Traxler.

»Yoko XVII«, 2006 by Don Brown.

»thenewscent.com« by Jason Evans.

“Sucking Marks $10”, 2006 by Marlene Haring. Commercial service.

»Islands (2)«, 1996, 72 lightboxes by Jaume Plensa.

“Giesskanne”, 1989 by Thomas Bayrle. Plastic watering pots, metal.

“In the Line of Sight”, 2009 by Daniel Sauter in collaboration with Fabian Winkler.

Still from “Surveying the american cultural habitat“, 2009 by Hayley Silverman.

»SELF-PORTRAIT WITH REMOTE CONTROL«, 2008, a video installation featuring a single image that shakes endlessly on a tv screen, by Randa Mirza.

“Depot der Nationalgalerie Sofia”, 2007 from the series “Bulgarische Denkmale”, 2008 by Margret Hoppe.

“Giant Tinfoil Ball”, 2009 by Emily Keegin.

“Red Psi Donkey”, 2008 by Jens Brand.

“Large Field Array“, 2006 by Keith Tyson. “Large Field Array” is a collection of 300 cubic sculptures arranged in a grid pattern across the floor and up the walls of the exhibition space.

»LANDREFORM Carousel«, 2008, by Matthias Einhoff, Philip Horst, Markus Lohmann, Harry Sachs and Daniel Seiple. Eight BMWs drive in a slow perfect circle, “This Land Is Your Land” by Woody Guthrie is playing on their radios – remixed for an amusement ride sensation. The cars, roped together like a carousel, circle like an auto display or western wagon train. Every couple rounds the drivers systematically stopp to pick-up and drop-off spectators and riders. Just before dusk, a fire is lit inside the circle.

“Ohne Titel (Taucher)”, 2008 by Christoph Meier. Wood, plastic, paint.

“The New York Times Special Edition”, 2008 by Steve Lambert in collaboration with The Yes Men.