VVORK

2073532589_8c119cc5d4

Ordering of colours and forms from Kandinsky’s seminar, 1931 by Fritz Tschaschnig.




“Epiphany”, 2003 by Shezad Dawood.




“15.08.69”, 2008 by Silke Wagner.




“Ce qui coupe une ligne, c’est le point”, 2007 by Olaf Nicolai.




Coronas_3

“Light work nº 19″, 2007 by Carlos Coronas.




kahlen

“Sound Drift”, 2005 by Timo Kahlen and Ian Andrews.




image008

»Ninety Parallel Sinusoids With Linearly Increasing Period«, 1960, by Bridget Riley.




“Suzy I”, 2005 by Philippe Decrauzat.




Sans titre 11

»Sans Titre«, 2009 by Pietro Mattioli.




fatras1

»Le grand fatras«, 2005 by Gwenaël Bélanger.




»Forget the Heroes«, 2008 by Paolo Chiasera.




MUTEusa2

Mute“, 2005–2009 by Janos Sugar.




“The Complete History of Postcontemporary Art I”, 2005 by Josephine Meckseper.




pallette2h

4 days ago… by Charles Broskoski.




klat

»Tennesse Wiggler the Big Fat Worm aka le lombric cosmique«, 2009 by Klat.




“Wittgenstein exercise”, 2001 by Michaela Meise.




Still from “The Diamond (Descartes Daughter)”, 2008 by Emily Wardill.




gw_untitled3e

»Untitled«, 2009 by Guyton\Walker.




Picture 1

»L is for Lemon Slices #3« ,1971, photogram with pastel and chalk by Robert Heinecken.




Picture 1

»Study #20 (171y, 171m at F16, 30 sec)«, 2010, from the series »Heinecken Studies« by Jason Lazarus. A series of photograms made with a portion of the cremated remains of Robert Heinecken.




« Vorherige SeiteNächste Seite »