VVORK

»Pico della Mirandola«, 2012,

»Mano-sillas«, 2012,

»Los Mutantes«, 2012 by Pedro Reyes.




»Untitled«, 2010,

»Untitled«, 2011,

»Mudflap Girls 360° (hot pink)«, 2011 by Virginia Overton.




“The Shell Home”, 2011 by Mandla Reuter. Video, flat screen monitor.




»Natürliche Grazie (Equilibre)«, 1984,

»Hostessen«, 1989,

»Untitled (Tokio), 1990/92 by Peter Fischli / David Weiss.




Performance view form »Hanging Times Athens«, 2012 by Calla Henkel and Max Pitegoff.




“Future Solutions“, 2012 by Wyatt Niehaus.




“Untitled” by Ami Raviv.




“Neon Traces”, 2009 by Anton Ginzburg.




»Maze«, 2011 by Bea Fremderman.




»Produits de Palestine«, 2002–2007 by Jean-Luc Moulène.




»Volvic Evian Vittel«, 2011 by Boris Dornbusch.




“White Hand”, 2011 by Nir Harel.




By Lee Lozano, September 25, 1968.




“The thing as distance”, 2012 by Anna Sagstrom. String, dye, glass, enamel, copper string.




»Sexist Slides«, 1989 by Jennifer Steinkamp.




“Chairs”, 2001 by Robert Morris. Wood, lead, audio.




»Boy«, 1999 by Michelle Lopez.




“Colorless, odorless and tasteless”, 2011 by Eva and Franco Mattes aka 0100101110101101.ORG. Customised arcade game, engine.




»Analog Column«, 2011 by Stephen Nachtigall.




»Untitled (Modernist House)«, 2005 (plastic pony beads, artificial hair) by Kori Newkirk.




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