VVORK

“On the Origin of Species: The Preservation of Favoured Traces“, 2009 by Ben Fry.

»Tangled up in chains«, 2009 welded found iron and »Stalk, Gills and Caps of Goodbye«, 2009 oil on canvas by Ida Ekblad.

“Abstract Webpage (.com) (After Ad Reinhardt)”, 2008 by Ramsay Stirling. Cascading Style Sheet on HyperText Markup Language. Dimensions variable.

»La Luz I«, 1947 (cotton, hemp, and metallic gimp) by Anni Albers.

»Purest Villa; Kijyou no Kuron«, 2006 by Aki Nagasaka.

»The Evil Painting«, 2008 (oil on lightbox) by Ivan Grubanov.

»Requiem Reversal«, 2005-06, by Zach Harris.

»CIVA entré«, 2007 by Torbjörn Johansson.

Izvanredni Bob.

“Vergina Sun” by Hubert Blanz.

Stills from »The Simpson Verdict«, 2002 and »Two Stolen Honeymoons Are Better Than One«, 2006 by Kota Ezawa.

“Auprès de mon arbre” and

“It’s a long way to the sea” by Adrien Tirtiaux.

“From Here to Eternity II” by Anthony Gross. Video.

»Disorganiser«, 2007 by Jaka Železnikar. See also »Website-Shredder« Mark Napier.

»Paysage Fantome – 3«,

»Laurent – 1« by Xavier Veilhan

A still from »Self Portrait (abstract plain)«, 2006. The video is created by 3d scan data. Drawing on the historical cannon of self referential portraiture and still life painting, it is a study of material and surface. By Chris Cornish.

»New York City Public Schools Connected in Numerical Order« (The Bronx) by Neil Freeman.

»Suspension« is a video constructed from a destroyed rescan of fashion magazine ads and a video self-portrait, is a meditation on the implicitly narcissistic nature of desire within a commodified context.

»Residual Light (still)« and »Drift (still)«. All videos by Anthony Discenza.

Conatus (pilote) is a new attempt to organize chaos, to unite heterogeneity and to resuscitate the inert forms. By Boris Achour.

Painting Manufacture Unit by Roxy Paine. A spray nozzle mounted on a large moving arm travels in front of a canvas, spraying acrylic paint as it makes its pass. After a programmed amount of inactivity, which allows the paint to dry, the arm gets to work again and makes another pass.

Auto Sculpture Maker creates an endless series of amorphous sculptural blobs.

Drawing Machine floods paint into a mixing chamber and dispenses it via a spray nozzle that travels a pre-programmed course over the paper. After making its pass and releasing its paint load, the machine rests, allowing the paint to dry-before another pass is made. All three machines by Roxy Paine.