“Day Ring”, a sound installation for the interior of James Turrell’s skyspace, by Steve Roden.
Excerpt from »Blue, White and Red (tracking colors in Kieslowski’s Trilogy)«, 2007 by Aleksandra Domanovic.
“Untitled” (Commercial floor mat) and “Votive” (detail- wax, candlewick) by Jeff Feld.
“Clear Waters”, “In the Midnight Hour” and “A Nod’s as good as a Wink ” by Steven Gregory.
»Computer art has not been found out yet. Let us find it out for ourselves.«
From THE MANIFESTO OF COMPUTER ART by Tamás Waliczky, Budapest, 15 January 1989.
»Color Study«,2002 by Tamás Waliczky.
»Two Keystoned Projectors (one upside down)« (2007) and
»Panasonic TH42PV60 Plasma Screen Burn« (2007) by Cory Arcangel at Galerie Guy Bärtschi.
“Ballonnenveld” by Martijn Tellinga. An installation that displays a sounding and vibrating body of helium-filled balloons. The balloons function as resonance-chambers for a trimmed spectrum of sine-waves that are fed through strings, connecting the balloons with double-coned carspeaker-elements. Each balloon holds its own resonance-frequency that changes over time as a result of varying temperature in the space, amount of helium in the balloon (decreasing over time) and length of the string.
Blue Moon plays the tides, the tides mix the city noise into 3 tuning tubes generating harmony in response which then playback in real-time. By Bruce Odland and Sam Auinger.
“The slow inevitable death of american muscle” by Jonathan Schipper. Two cars are slowly crashed into one another of the course of a month. The movement is so slow as to be invisible.
Archival C print, vegi gel capsules, acrylic. “Little Boy Blue” by Andy Diaz Hope.
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