VVORK

KnockOff (Berlin), 2012 by Dora&Maja.




»Maria«, 2002 by Melanie Bonajo.




»Libido Uprising«, 1989 by Jo Spence.




Season two episode three of »There’s No “I” in Trisha« by Trisha Baga.




“The Kiss“, 2007/2010 by Maria Anwander. French kiss on wall and museum label.




»A B C D E F G H I J K L M N O P Q R S T U V W X Y Z«, 2011, the alphabet in Morse code transmitted by the man into the woman. By Anetta Mona Chisa & Lucia Tkácová.




»consumption junction«, 2010 by Ash Sechler.




»The Opposite of Backwards«, 2008 by Alicia Frankovich.




»Flétrissure«, 2010-2011 by Agnes Geoffray.




»On Misunderstanding«, 2010 by Margrét Bjarnadóttir, with set-design by Elín Hansdóttir.




»Un-retouched«, 2011 by BERNADETTE CORPORATION.




»Accumulation«, 1971 by Trisha Brown.




»Psycho 7«, 2010 by Erwin Wurm.




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»Gibellina«, 2008 by Raphaël Zarka.




»Silverback«, 2009 by Keith Farquhar.




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Photograph from »Aktion«, 1965 by Rudolf Schwarzkogler.




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»Why does it hurt when my heart misses the beat (up)«, 2009 by Julian Göthe.




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»Women Are Coming!«, 1976 by Duba Sambolec.




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»Robin V«, 2006–2007 by Berlinde De Bruyckere.




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“Stapel (Stack)” and “Klumpen (Chunk)” from the exhibition “Atlas”, Secession, 2010 by Nicole Six and Paul Petritsch. “Klumpen (Chunk)” is a concrete cast of a hollow in the wall of the Secession. Nicole Six spent 24 hours in this space, and the sculpture thus also represents the minimal dimensions of her body.




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