“Crystal” and “Nail” from the series “Human Advertisement” by Xavier Cha.
“Untitled” (rear view) and movie “Untitled (rotating a skull)” by Naotaka Hiro.
“Art Forum Accident” and “Untitled, National Gallery” by Ondrej Brody and Kristofer Paetau.
»Solo-para-adultos.com« and
»Under Heaven« (9m Tree with treehouse on 45 m high Stedelijk museum) by Leonard van Munster.
»World, Membrane and the Dismembered Body« by Seiko Mikami. The project takes place in an anechoic (echo-free) room. In this silence, you first hear the sounds inside of your body (heart and lung sounds), and then their amplified versions from audio speakers. The lag of sounds creates a gap between your mind and body. The sense of body vanishes and the fragmented senses awaken. The sounds are amplified and transformed within this space to introduce a perception-driven architecture.
“Divine methods/Hidden motives” – On a wall in the Kloosterkerk in Den Haag, an industrial robot-arm is mounted. The robot is holding a lit candle, moving it through the space with calculated precision. Video.
“In Places” – Video. Works by Erik Olofsen.
»Fascia«. The structure of the apparatus gradually takes control over the face, pulling and stretching the skin, eyelids and lips into controlled/mechanized grimaces.
»Public Sauna«. For Pia Lindman an artist born and raised in Finland, public sauna bathing is a significant part of her identity. In the United States, issues of nudity prevent an experience of a Finnish sauna event both socially and physically. To further negotiate this cultural disjunction, she designed and built »Public Sauna« in the court yard of P.S.1. and kept it open for the public to bathe. During the year of 2000, approximately one thousand visitors at P.S.1. used the sauna.
»New York Times Performances«. Having collected images of mourners from the New York Times for one year, Pia Lindman took the bodily gestures of the mourners out of the news context and made drawings/diagrams. These images ranged from the aftermath of the World Trade Center, terrorist attacks in Israel, funerals of Palestinians, Chechnyans, to Russians. Using these drawings as her instructions she re-enacted the gestures in front of a video camera in her studio without revealing their original context. Later she moved into the public space and performed the re-enactments live. The locations have varied from Rachel Whiteread’s Holocaust Memorial on Judenplatz in Vienna, Battery Park New York, Mexico City…
»on-going-going on- autographs of the initiators«. On April 25th 2005 Maurice Bogaert had his parents autographs tattooed on his feet, on the left foot his mothers and on the right foot his fathers.
“Tree hang one”, “Pinecone”, “Legline”, “Leap into the yard” and “Dirt roll one” by Keith Boadwee.
»The constellation of candles in the field corresponding to the constellation of the stars in the sky«, 2004 by IRWIN, is a photo reconstruction of the group OHO action »The constellation of candles in the field corresponding to the constellation of the stars in the sky« from 1970.
Other reproductions of OHO actions by IRWIN.
»IRWIN with Marina Abramovic.« A collective of five Slovene artists IRWIN, was founded 1983 and since has been a dynamic force in contemporary Eastern European art. They describe their own work as retro-avant garde and are emphatic about their work being collective rather than individual. The group also co-founded the wider cultural collective Neue Slowenische Kunst.
“Because every hair is different” and
“Heute bleibt die Küche kalt, wir gehen in den Wienerwald” by Marlene Haring.
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