“Shiny Balls Mirror” (921 hexagonal black-anodized aluminum tube extrusion,921 chrome-plated plastic balls,819 motors,control electronics,video camera,computer) by Daniel Rozin. Video.
“Lie detector” (camera,video system,glove,sensors,computer) – this performance measured the degree of sincerity of feelings expressed by participants (artists or visitors) about the works exhibited. Each response was analyzed by a system of sensors connected to a computer. A “beep” rang out if the participant was faking his opinion. By Olga Kisseleva.
“Bee Trilogy”, Three LED sculptures with sound, based on observations of bees.
“Close-up”, People are invited to have their picture taken by a camera as they enter the BBC building. The portraits are added to an ever-increasing database whose contents are then displayed through translucent LED screens installed along the ceiling. Projects by Ron Haselden.
In the installation »Infinite Loop« (2004) a camera is rotated on its side and pointed into a television at close proximity. The camera feeds the image of pixels on the screen back into the TV’s audio and video inputs. The auto focus and auto exposure struggle to gain some coherence expected in an image, but cannot. The result is a fluctuating, oscillating signal.
In »Thaw« (2004) an empty swimming pool, a large mass of black, volcanic, basalt street bricks is interlaced with bricks of white ice. The cube will fall prey to entropy over the course of approximately 8 hours. The ice bricks fuse together and hold on to the bricks as long as possible, causing the structure to warp and sway pendulously before collapse. The brick cube rests on a steel table and hovers over a mirror, which floats above the floor. The mirror has microphones attached to it, which pick up the stochastic dripping of water and is amplified in the space, counting off the time between collapses. Both projects by Chris Musgrave.
The »Media Pack Board« by Valerie LeBlanc and Daniel Dugas is used for interactive performances and public screenings.
»Installation Shot« consists of two almost pitch black rooms, side by side. Two ‘participants’ are invited to wear a helmet each geared up with infrared ccd camera, transmitter and small monitor. Vision is switched between the two viewers in a minimal space only containing black board and mirror arranged in identical mirrored states. The initial effect is that of dissorientation followed by a convergence with the others perceptual space. By Derek Ogbourne.
“One Minute” by Meridith Pingree. Participants generate portraits of their physical personality when they wear a strap-on video pinhole camera headband for one minute. The movement of the camera is translated into a three-dimensional line drawing and output as an object by a 3-D printer.
“Wallfilm” 1982 performance. Out of 48 bricks a wall is built in the darkness, during which time the wall functions as a projection-surface. Onto the wall is projected a film, showing the wall beeing dismantled with the same speed.
“Untitled” 1988; “Warsteiner” 1987; “Untitled” 1993 and other work by Dieter Kiessling.
Tree drawings by Tim Knowles.
Stills from Tim Knowles Spy Box (images created by a camera inside a parcel). Exhibition shown at Rokeby Gallery.
Mesa España, Mesa América and Mesa Austria by Mateo Maté.
High Security Disneyland, also by Mateo Maté.
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