VVORK

Hermann Nitsch

»Zuerst die Füße«, 1990 by Martin Kippenberger.

»The Dream and the Promise«, 2009 by Aleksandra Mir.

»Zbogom Crkvi! (Good-bye to church!)«, 2006, street campaign with hand-out stickers by Škart.

»Love Cross« by Michele Bressan.

“si j’étais un charpentier”, 2008 by Briac Leprêtre.

»Bellum (69 Churches)« by Gerald Edwards.

»Union Fargekart/ Union Colour Chart«, 2007,

»Believe & Succeed Part l and Part ll«, 2006 by Marte Johnslien.

»La rentrée en sol – Cathédrale d’Amiens«, 2005 by Régis Perray.

»Camouflage Church« (2006)

»There Will Be No Miracles Here« 2006

»The Lamp of Sacrifice« (286 Places of Worship, Edinburgh 2004) by Nathan Coley.

»NightLife« 2004, is a nocturnal light and sound installation exhibited at The Museum of Garden History, St. Mary’s Church in Westminster, London. The work consists of a sound track and two remote controlled spotlights illuminating the graves between the church/museum and a public walkway. Once activated the lights sweep across the graves, criss-crossing in sync to the opening chords of Michael Jackson’s “Thriller”. By Lynne Marsh.

»the church of the future« and

»body magic« by Javier Morales and John Michael Boling.

»canterbury tales rap« and

»accidentalbluescreen« by John Michael Boling of gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com.

“Divine methods/Hidden motives” – On a wall in the Kloosterkerk in Den Haag, an industrial robot-arm is mounted. The robot is holding a lit candle, moving it through the space with calculated precision. Video.

“In Places” – Video. Works by Erik Olofsen.

»Gott erscheint am Kopfkissen« from 2005 by Tazro Niscino . Containers are constructed around the statue at the Stedelijk Museum voor Actuelle Kunst in Gent.