VVORK

»The Persistence of Memory«, 1931 by Salvador Dalí.

“Duodecagon clock” (2006) by Peter Umgeher.

»Null Event (Tomorrow): 12:00 AM Local Time, Continuously«, 2006. Countdown, simulated LCD. A timer which reaches “000:000:00:00:00:000″ (years:days:hours:minutes:seconds:milliseconds) at the start of the next day. By Damon Zucconi.

»Life clock«, 2008. Clock mechanism slowed down 61320 times (each number represents years). By Bertrand Planes.

“Twenty-seven minutes” by Kirsten Pieroth in collaboration with Montana Møble.

»D/A Clock« (2008) by Alvin Aronson.

»Mono Chrono Pneumatic White«, 2007 and

»Bad Timing«, 1998 by Darren Almond.

“Minuterna” by Albin Karlsson. A machine painted a dot per minute. Video .

»K.C.C. R/G-4«, 1999,

»Oblique Three«, 1995 by Tatsuo Miyajima.

»Time Piece« (2002). Postcards representing the time in which the photographs were taken in chronological order. By Jonathan Monk.

“24h” – LCD Clock by Robert Stadler.

»UBIC«, 2005,

screenshots from »temps donné 1 & 2«, 2004 by Antoine Lejolivet.

»Untitled« (2007),

»Perfect Lover« (2007) by Jordan Wolfson.

»Wapok«, 2006 (porcelain rice cookers)

»Epuration élective«, 2004

»Snooze«, 2004 (80 radio clocks) by Fayçal Baghriche.

»Home-made electronic watch«, 2004. The watch is a result of an experiment seeking to determine how long it takes to construct a simple hand watch from scratch for someone with no education in engineering. By Janek Simon.

Twelve-hour drawing on a piece of paper by Eivind Søreng Molvær.

Video “Clocks” by Christopher Roth und Franz Stauffenberg.

Installation “Magnetic Guangzhou” by Troika.

»Page 181 of Mrs. GILLRAY«, 2007 by Mathew Hale shown at Clockworkgallery. Clockworkgallery uses the public advertising space of a turnable lightbox at Mehringplatz/Berlin to present 12 solo exhibitons a year.

“Chrono_Shredder” is a hybrid between calendar, clock and waste producing automaton. By Susanna Hertrich.