VVORK

»Tommy Støckel’s Art of Tomorrow«, 2009 by Tommy Støckel.

Detail from »501 objects auctioned off by the Sate of Israel, or, diplomatic gifts from Arab States to the People of Israel«, 2009 by Oraïb Toukan.

“Miracles in nature and Science” from “Words and Years“, 2010 by Toril Johannessen.

»The Wishing Well«, 2005 by Charlotte Becket.

From “50 works I have never seen“, 2007 by Marita Fraser.

“The record archive”, in process by Dani Gal. “The record archive” is an ongoing project of collecting vinyl records that sound document historical events of the twentieth century.

“Void“, 2002 by Carsten Nicolai. Sound, chrome-plated glass, aluminum, silicon, rubber.

“Large Field Array“, 2006 by Keith Tyson. “Large Field Array” is a collection of 300 cubic sculptures arranged in a grid pattern across the floor and up the walls of the exhibition space.

»Fragment Box« 2, 2008 by Ivan Moudov.

»Wigs«, 1996 – 2006 by Lorna Simpson.

»5th May ’88 Pix for the People«, 1989 by Ernst Mitzka.

“On-Going Collection”, 2008 (garden solar lights, glass and wood showcase with permanent light) and “www.absolutecountdown.com“, 2008 by Noa Giniger.

»Proposal for White and Indian Dead Monuments Transposition«, 2005 by Sam Durant.

»The Planets«, 1984, series of six single records collected from special effects sound libraries by Jack Goldstein.

»Bunkers (Switzerland)«, 1999-2004 by Leo Fabrizio.

»Monument to DJ Culture #2«, 2009 and »IMG_FAN« from the »Noise Pollution« exhibition by Marisa Olson.

“Measuring the Universe”, 2007 by Roman Ondák. People visiting the exhibition are offered to be measured by museum attendants.

“Vanitas”, 2005 by Oskar Dawicki. A collection of groceries whose best before dates expire during the exhibition. The timers placed by each of the products display the time left – each day of the exhibition another product expires, as the exhibition ends all products are inedible.

»La peinture des Martin de 1900 a 2000«, 2000 (a collection of paintings by artists whose surname is Martin) by Bertrand Lavier .

“Fabiola“, is an ongoing work by Francis Alÿs. Over the last two decades, Francis Alÿs has assembled a collection of nearly identical paintings and other reproductions of fourth-century Saint Fabiola, all based on a now-lost original painted in the nineteenth century by the French artist Jean-Jacques Henner.