VVORK

»Logic for Variation and Inversion on a Rhythm«, 1976 by Channa Horwitz.




“I DO NOT COMPLAIN ABOUT ANYTHING AND I ALMOST LIKE IT HERE, ALTHOUGH I HAVE NEVER BEEN HERE BEFORE AND KNOW NOTHING ABOUT THIS PLACE.”
»Slogan«, 1977 by Andrei Monastyrski.




Get a cat.

»Cat«, 1965 by Milan Knížák.




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A detail form »How are you going to behave? A kitchen cat speaks.«, 2009 by Liam Gillick.




»Old and bold I search for a gallery«, 2008 by Goran Trbuljak.




Text pieces by Stefan Brüggemann.




»Poem«, march 1966 by Dan Graham. Schema for a set of poems whose component pages are specifically published as individual poems in various magazines.




»Landscape Seascape, Woman and Girafffe«, 2002 from the (CAPTURED)FUNCTION series by John Baldessari.




»A Number of Things«, 2008 by Micah Lexier. A colouring book that presents some of the artist’s favourite conceptual artworks as well as some related objects having to do with counting and measurement. Designed to be accessible, it will be made available to Vancouver area public school children through presentations by the artist, introducing young audiences to idea-based contemporary visual art.




»Untitled (Daniel Buren essay on John Knight’s Leetsoii exhibition)«, 2007. Wallpaper made from a 90° counter-clockwise rotation of Daniel Buren’s essay published on the occasion of the John Knight’s Leetsoii exhibition (Hoshour Gallery, Albuquerque Dec. 1988). Essay republished in: Daniel Buren, Les Écrits, vol. III (Bordeaux: CAPC Musée d’art contemporain de Bordeaux, 1991), p. 309-21. By Yann Sérandour.




»Monochrome Till Receipt (White)«, 1999 by Ceal Floyer.




»Monochrome Till Receipt (White)«, 2005 by Dan Halter.




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“Digester”, 2008 by Susan Robb. 55-gallon drums, the waste of gallerist Scott Lawrimore, biogas, campfire.




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»Hottest To Coldest«, 2008, is a website that continuously arranges a list of all the worlds national capitals according to their current air temperature.
By Aleksandra Domanovic.




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»Lost Idea« (2006),

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»All The Sixes In 2006« (2006),

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»Sentence Removed (O’s Remain)« (2000) by Jonathan Monk.




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Bibliothek ungelesener Bücher” (library of unread books) by Julius Deutschbauer.




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Tomo Savic Gecan




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»Believe« (Levitation in the Studio) 2002 and »Untitled« (Vulture in the Studio) 2002 are two of three videos taking place in João Onofre’s Lisbon studio. »Believe« pits the eternal power of magic against technology by inviting a traditional magician couple to perform a levitation in the artist’s studio. In (Vulture in the Studio) the wild animal climbs onto the tables mounted on easels that enclose the studio space, nibbling on the sheets of paper pinned to the wall as well as the books and catalogues arranged on shelves, and tries to take flight.

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In the third video »Catriona Shaw sings “Baldessari sings Lewitt” re-edit, “Like a Virgin”« 2003, a passable vocalist interprets Madonna’s famous song Like a Virgin, but with altered lyrics: excerpts from Sol Le Witt’s “Sentences on Conceptual Art” 1969, which had already been sung by John Baldessari in 1978. Accompanying the video is an extended version original video soundtrack was released. Vinyl record, edition of 20 pieces.

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»Instrumental Version« 2001, features the Chamber Choir of Lisbon, performing an acappella version of “The Robots,” an old electronic favorite from Kraftwerk’s 1978 album Man Machine. Vinyl record, edition of 20 pieces. All works by João Onofre.




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»Virgin« (unprinted newspaper) and

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»S/T« (weaved newspapers) by Jaime Pitarch. See also Dan Halter.




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Letter to Sophie Calle.

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Letter to Miuccia Prada. By Josh Greene.




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