»D/A Clock« (2008) by Alvin Aronson.
»Mono Chrono Pneumatic White«, 2007 and
»Bad Timing«, 1998 by Darren Almond.
»Home-made electronic watch«, 2004. The watch is a result of an experiment seeking to determine how long it takes to construct a simple hand watch from scratch for someone with no education in engineering. By Janek Simon.
»Circuit No. 3 of a Regular Octahedron Type«, 2002
»Brain Waves Drawing«, 2006
»Stone-Arrangement Painting on the Board No. 3 of 35 Points by 35 Rows«, 1999 by Hideki Nakazawa.
»The Whole Alphabet, From The Center Out, Digital, VI« (Gouache on paper on panel, 2006) and »0-9« (Gouache on paper on panel, 2005) by Tauba Auerbach.
»Thermopaper« slowly travells from one roll to the other and turns black in the middle.
In “Mirror digital clock” 28 motors control 28 mirrors forming a clock.
»1g/min« is based on a machine attached to the roof of a room, rotating with a speed of one revolution per hour. Every minute one gram of hotglue drops down on the floor. Over time a sculpture takes form. All three projects by Albin Karlsson.
»Attributing Value (Refractions)« is an ongoing video series documenting various artist’s works. The works are environmentalized and refracted through the structural data of artist Damon Zucconi himself. Sofar completed are Bruce Nauman: 100 Live, 100 Die; Carsten Nicolai: Syn_Chron; Pierre Huyghe: L’Expedition scintillante; Richard Serra: Torqued Ellipse VI; 0100101110101101.org: jodi.org “%20Transfer”.
»Zenith Alignments«. Using star tracking software, minor zenith alignments with celestial bodies were found to occur at multiple intervals throughout the course of the day over various locations. These precise locations were located via GPS. 3-point areas were located at sites of the zenith alignments. These areas were highlighted and clearings were made to coincide with the alignments. So at the moment of the alignment Damon Zucconi would be exposing the ground and aligning himself with the line that extends to the star. These specific alignments were unique to these specific locations, occurring once an annual cycle. This could largely be seen as the process of integrating himself with 90 degree angles, in turn, demarcating larger phenomenological alignments and relations: “the body mapped onto the land onto the heavens above.”
»’At’ Asserting its Object Status«. Found sculpture.
»2d Orthogonal Line Drawing«. Drawing with laser and mirrors. All projects by Damon Zucconi.
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