VVORK

"Public Sculptures", 2008, are little sculptures whose primary material is made up of found and gathered rubbish from the streets, arranged into new indefinable, abstract forms. These Forms, made of everyday life rubbish, are each cast two times in ceramics. These two identical sculptures become gold plated in pure gold. One of these sculptures will be left in a public space. It is placed on an arbitrary location, observed and secretly filmed till the moment when taken. What stays is the identical copy of the disappeared sculpture and a Video showing the Moment of disappearance from its equivalent.

"Speaker-Backpack, Cooking-Backpack, Demonstration-Backpack, Sabotage-Backpack, Fan-Backpack", 2006, by Nasan Tur.




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»Magic 8-Ball Icosahedral Die«, 2008,

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»3d California Flag«, 2008 (made with models from 3d warehouse) by Guthrie Lonergan.




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»Berliner Bordsteinjuwelen«, 2007, cut and polished found stones. By Alicja Kwade .




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»Photographing Girl on a Motorcycle«, 1999/2007 by Jo Mitchell.




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Picture form the series “Internet access” by Peter Piller.




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(>’.')>=O____l_*__O=<('.'<), (2008)

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↓ ↑, (2008) by Oliver Laric.




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»Me and My Girlfriend«, 2007. Video compiled of people glancing into the camera from their home made porn. By Fernando Sanchez.




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»Group Picture Projects« (2007) by Constant Dullaart.




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»Anhedonia«, 2007, 90 min. In psychology, anhedonia is an inability to experience pleasure from normally pleasurable life events such as eating, exercise, and social or sexual interaction. It was also supposed to be the original title of Woody Allen’s 1977 film Annie Hall, but it was considered unmarketable. By Aleksandra Domanovic.




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»WAR IS OVER!« (2004) Readymade page from the Village Voice by Thomas Galler.




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»Attributing Value (Refractions)« by Damon Zucconi.

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»Neon from Museum Boijmans Van Beuningen installed at Galerie West« by Arin Rungjang.

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»two hundred fifty googled images« by Katerina Matsoukis is a printed email showing two hundred fifty image search results for the words two, hundred, fifty, googled and images.

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»Canon Remix« by Haroon Mirza.

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»Logo Hallucination« by Christophe Bruno.

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»four weddings and a funeral« by John Michael Boling.

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»Dialectics of Subjection #4« by Anetta Mona Chisa and Lucia Tkacova.

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»POST-POST-PRODUCTION« by Julien Prèvieux.

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»BUBBLECARS« by Collectif-Fact.

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»Canon« by Bad Beuys Entertainment.

Documentation of »Bad Beuys Entertainment, Boling, Bruno, Chisa & Tkacova, collectif_fact, Matsoukis, Mirza, Prévieux, Rungjang, Zucconi« curated by VVORK for Galerie West, Den Haag, 6.10.-3.11. 2007.




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»my virtual library«,

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»Bookstack« is a pile of found books whose titles play with the common phrase “A Needle in a Haystack”. The stack grows when a new title is found and takes its place on the top of the pile. By Yann Sérandour.




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“Some push, some hold and some don’t even know how to take a picture” by Mario García Torres.




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»Sonic Transmutation«, 2004 by Kevin Bewersdorf.




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»Hollywood« (2006) is an exhibition of found jpgs curated by Marc Kremers.

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»MOOD« by Marc Kremers.




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“Fountain” and “Untitled” by Magnus Thierfelder.




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“Them”. They are Them. They are made from recovered clothes, collected from lonely places – woodland, wasteland, car parks. By Danny Treacy.




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»Attributing Value (Refractions)« is an ongoing video series documenting various artist’s works. The works are environmentalized and refracted through the structural data of artist Damon Zucconi himself. Sofar completed are Bruce Nauman: 100 Live, 100 Die; Carsten Nicolai: Syn_Chron; Pierre Huyghe: L’Expedition scintillante; Richard Serra: Torqued Ellipse VI; 0100101110101101.org: jodi.org “%20Transfer”.

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»Zenith Alignments«. Using star tracking software, minor zenith alignments with celestial bodies were found to occur at multiple intervals throughout the course of the day over various locations. These precise locations were located via GPS. 3-point areas were located at sites of the zenith alignments. These areas were highlighted and clearings were made to coincide with the alignments. So at the moment of the alignment Damon Zucconi would be exposing the ground and aligning himself with the line that extends to the star. These specific alignments were unique to these specific locations, occurring once an annual cycle. This could largely be seen as the process of integrating himself with 90 degree angles, in turn, demarcating larger phenomenological alignments and relations: “the body mapped onto the land onto the heavens above.”

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»’At’ Asserting its Object Status«. Found sculpture.

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»2d Orthogonal Line Drawing«. Drawing with laser and mirrors. All projects by Damon Zucconi.




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»Ug 1« by Holger Salach.

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»0:0«, found photographs, various sizes. Holger Salach in cooperation with Stefan Burger.




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»Les Reflets« (Sandwish Turc, Loto, Opticien and Hong-Kong Fast Food) from 2004 Franck Scurti.




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