VVORK

»Untitled«, 2010,

»Untitled«, 2011,

»Mudflap Girls 360° (hot pink)«, 2011 by Virginia Overton.




»Ohne Titel«, 2008 by Kitty Kraus.




»A Logo For America«, 1987 by Alfredo Jaar.




“Radisson/Picasso”, 2002 by Serkan Özkaya.




“EBAY”, 2007 by François Curlet.




»Ads on TV–Beauty-turned-Disaster«, 2002,

»A CHU YUN WORK II«, 2003, Chu Yun.




neupril1.jpg neuzahn.jpg

Daniel Pflumm.




union_fargekart-1.jpg

»Union Fargekart/ Union Colour Chart«, 2007,

believe_n_succed-3.jpg

»Believe & Succeed Part l and Part ll«, 2006 by Marte Johnslien.




malone28.jpg

“Untitled” by Daniel Malone.




image001.jpgimage001-1.jpgimage001-2.jpg

»logos«, 1996-1998 by A.K.U.S.A. (Asmundur Asmundsson and Justin Blaustein).




centre.jpg

»…into the centre of things«, 2003 by Beatrice Jugert.




we_are_the_champions.gif

“We are the champions” by Matthieu Clainchard.




conq03gr.jpg

»Conquest Russia !« (2007) by Olga Kisseleva.




nettimebase.gif

»Time-based NetTime logo interpretation« by Yariv Alter Fin.




img-logocontest1.jpg

»Logo Contest« (2006). Logo competition initiated at designcontest.net, awarding logos for artists names.

viau3.jpg

»Courir les rues« (2006). By Gwenaël Bélanger.




New_heavy-lies-the-crown.jpg

Paintings by Eddie Martinez.




img.php.png

»Best« (2006).

tpi.gif

»Télévision Pour Internet« (2003). Both projects by Claude Closky.




103.jpg

A poster designed with reference to colours relating to the history of Cinema by Martin Frostner.

76.jpg

»Artist Clothing« lightboxes designed by Martin Frostner for Lena Malm and Charlotte Enström.




artistclothing.jpg

»Papperskollektion #1« by Lena Malm.




logo.jpg

»Logo.Hallucination« continuously monitors the images circulating on the Internet looking for hidden logos. It’s software is based on neural network image recognition. Pattern recognition is a field in full expansion, it constitutes a key technology in the domains of safety, of the management of the rights, of marketing… »Logo.Hallucination« proposes to use technologies of recognition of images in order to detect subliminal forms of logos or emblems, hidden (generally involuntarily) in the visual environment or in the whole of the images of the Internet. Every time a hallucination is detected, an email is sent to the owner of the image. By Christophe Bruno.




Nächste Seite »