VVORK

“Onanist, 2008“, 2008 by Aleksandra Domanovic.

»Netacronyms«, 2007 by Marisa Olson.

“Gaza Stripper” by Yoshua Okon. Video .

»Nicole« (2002). In Collages for Men, Pierre Bismuth has re-clothed pictures of naked women from pornographic magazines.

Brad Troemel

»100kg Man«, 2004 by Satoru Tamura.

“Untitled, 2003” was initiated in 2002 when Andrea Fraser approached Friedrich Petzel Gallery to arrange a commission with a private collector on her behalf. The requirements for the commission were to include a sexual encounter between Fraser and a collector, which would be recorded on videotape, with the first exemplar of the edition going to the participating collector.

Untitled pictures by Jaimie Warren.

»In My Place«, 2004. Hidden camera video filmed at a peep show in Bogotá Colombia.

»Desired Objects«, 2007. Photographic record of thieves captured at a store in Medellín, Colombia.

»Knife Sessions«, 2006-2007. Educational video series on “how to stab” people correctly. By Edwin Sanchez.

»Fundraiser« from the series »Digital Cocks«, 2002 by Matthias Herrmann.

»Las Melninas« and »Nude Descending a Staircase Nr.2« from »The Global History of Art«, 2004 by Stano Masár.

“The Palace at 4 A.M.” by Jon Kessler.

»Solo-para-adultos.com« and

»Under Heaven« (9m Tree with treehouse on 45 m high Stedelijk museum) by Leonard van Munster.

“The good samaritan” by Paul Knight.

Happening “Akt Saloon” by Ondrej Brody and Kristofer Paetau.Video.

“Nudist N°6″, “Park scene” and “Minnesota Sharpie” by Torbjørn Rødland.

Untitled sculptures and untitled photo by Emmeline de Mooij.

“No Title”, “Totalitarianism” and portraits of Marcel Musters by Viviane Sassen.

»Private Stages«. Collages by Peter Freitag. Amateur photographs of nudes are taken from the internet and obscured with the application of “dots” that are made with punchhole irons using the colours and structures from the original image. The process of manipulation remains visible on the image plane with dots and circles forming a recognizable silhouette of the vanished nude, undermining the original intention of the images through a simple process of interference.

»Lost Boys«, Slava Mogutin’s first monograph, is a compelling collection of his portraits and landscapes taken over the past ten years – since he was exiled from Russia for “malicious hooliganism with exceptional cynicism and extreme insolence.”