VVORK

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»Wilhelm Noack oHG«, 2009 by Simon Starling.

»Dying Gaul I«, 2007 by Sophie Ernst.

“Coro Spezzato: The Future lasts one day”, 2009 by Rosa Barba.

“Zwei Jahre, ein Monat und zwei Tage (Two years, one month and two days)”, 2007 by Christian Mayer. Slide projection.

Performance by Shana Moulton.

“Towers 2 the sky”, 2009 by Boris Dornbusch.

»Gradually, then suddenly (II)«, 2009 by Martijn Hendriks.

“Hand Held Moon”, 2009 by Anne Eastman. Single channel digital video loop, no sound, projected on black wood board.

»Grey Still Life II«, 2009 by Egill Sæbjörnsson.

»Back to sarajevo after ten years«, 2002 by Ivan Civić.

“Elective Affinities”, 2008 by Nick Laessing.

“Stage Fight”, 2009 by Haroon Mirza in collaboration with Laura Buckley & Dave Maclean.

»Sade for Sade’s sake«, 2009, three channel shadow projection, 5:45h, by Paul Chan.

“All the World is Waiting for You”, 1999 by Andrea Bowers.

“Double vision“, 2008 by Gregory Fong.

»Halfway to Invisible«, 2009 by Eve Andree Laramee.

“Untitled”, 2008 by Pratchaya Phinthong. Installation. Anonymous quote found on Internet printed on transparent film, portable projector, electrical transformer.

»Scenic Overlooks«, 2005 by Ayse Erkmen offers an homage to a way of experiencing images that is slowly dying out. Eighty-four landscapes (generic desert, mountain, and forest images purchased from a data bank) were projected onto the barrier wall. These oversize electronic postcards unfold gradually in uneven sections, from top to bottom, like an image file opening on a computer with a slow modem connection.

“The Sun is Always Setting Somewhere Else”, by Lisa Oppenheim. 35mm slide projection using images downloaded from the internet of sunsets taken by soldiers in Iraq, then positioned in front of the setting sun in New York.

“Lichtbilder”, 2003-2005 by Ruth Schnell. The letters are transformed into high-frequency light-pulses. The messages emerge by horizontally moving the visual field.