VVORK

“Chairs”, 2001 by Robert Morris. Wood, lead, audio.

»steps of recursion«, 2011 by Anne de Vries.

Performance “7 hours, 7 days“, 2009 by Leah Capaldi.

Detail from »Hommage à Picasso«, 1995-2006 by Hanne Darboven.

»Untitled (Chunks)«, 2004-2007 by Christoph Weber.

“Giesskanne”, 1989 by Thomas Bayrle. Plastic watering pots, metal.

»Liberty«, 2009 (rented mannequin, dime and chromed steel),

»Corner Sculpture No. 1, Olympic Boulevard and Mansfield Avenue«, 2009 by Kathryn Andrews.

»Arrangement 8«, 2008 by Sean Raspet.

»Art must be beautiful«, 1975 by Marina Abramović. I brush my hair with a metal brush held in my right hand and simultaneously comb my hair with a metal comb held in my left hand. While so doing, I continuously repeat ‘Art must be beautiful’, ‘Artist must be beautiful’, until I have destroyed my hair and face.

Ignacio Uriarte, »60 Seconds«, 2005

Jota Castro, »Time After Time (Miami Version)«, 2007

“More of the Same” loads copies of one sound sample, causing the system to produce different sounds. By LoVid.

»Borders and Boundaries«, 2007 is an animation made from repeating the “find edge” filter in Photoshop. By Charles Broskoski.

»Digital Decay series« are animations of the process of continuously saving image files in lower quality formats, over hundreds of times. By Claire Evans.

» Iron Maiden’s “The Number of the Beast” compressed over and over as an mp3 666 times «. By Cory Arcangel. Listen.

»The Forest for the Trees« (1998-1999) by Kay Rosen.

Orte in Zeiten: avantgarde films by Christoph Brunner.