»The Extras«, 2005-2006, video 13 min. The stars of the video are extras, background performers used in the crowd scenes of films and television series. In the video, an invisible director is telling the Extras to take various positions and formations. The Extras’ reflective clothing and signs they are holding symbolise their work as a background surface, a collective mass whose only purpose is to spotlight the main events and stars. In the background of the video, a voiceover is reading the Extras collective feelings about absurd shooting situations. By Szuper Gallery.
»The Extras«, Sunday, October 16, 2005. Performance with 20 Extras, 3 speakers, 2 directors, 3 cameras, 1 photographer, Mylar placards and banners, held at the square strium of Vancouver public library. By Szuper Gallery. Video.
»Tremor Rumour Hoover«, 2001,
»H-fact: Hospitality/ Hostility«, 2005 by Hüseyin Alptekin.
“Untitled” and “Untitled (Carrier)” by Jone Kvie.
»Anger Bumps«, 2007 by Erwin Wurm.
»Robert«, 2006 by Dieter Detzner.
»2544« (2006)
»Untitled« (2006)
»Breaking Heart« (2004-2005) by Cristi Pogacean.
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»Scene for a New Heritage«, 2004 and »Scene for a New Heritage II«, 2006. These two films take place at a Petrova Gora Memorial Park at a monument designed by esteemed modernist sculptor Vojin Bakiç. In Croatia, 2045 a group of young travelers makes a journey to a silver monument which had been erected under the communist government of Yugoslavia to commemorate the Second World War. It is the 25th of May, Tito’s birthday anniversary, and they are on a quest to recollect the monument’s fading promise. Nearly two decades later, in 2063, Petrova Gora Memorial Park is visited for a second time. In both films the monument-museum, once idealised as an abiding testament to ideology, is now perceived as at first a moment embedded with avant-garde ciphers, and ultimately an abstraction. By David Maljković.
»expedition-bus and shaman-travel« (Double Video-Projection on the Windscreen of a mirrored Campervan), 2002 is a project researching the parallels between ethnography and shamanism using scientific film-footage from the 50s and 60s.
»Divining Rod Testfield (Scheunenversuch)«, 2003 is a reenactment of a scientific experiment to evaluate the phenomenon of water divination. In the lower floor of a shed of about 20m of length, pipes were installed in such a way that their positions could be altered. through those pipes different quantities of water was pumped. one floor above, the test persons were to estimate the positions of the pipes through water divination. The supervisor of the experiment did not know the exact position of the pipes during the experiments nor did the test persons. the probability of the experiment being a result of pure chance was clearly below 0,5. In a series of further tests with 43 water diviners, 10 person were found to show significant to highly significant test results. The probability to get similar results without assuming a sensitivity of the water diviners, was arround 1500:1 against chance.
»Marathon«, 2003. By Christoph Keller.
Snake Flag.
100 Trophies. By Reuben Lorch-Miller.
Stamp, cutlery by Tomas Alonso. Recyclable, lightweight, nestable, disposable but reusable cutlery in a unique stamped aluminium design in which the structure becomes the motif.
