VVORK

“Journée des Barricades”, 2008 by Heather and Ivan Morison. Various industrial and domestic items.

»VIA DI PORTA LAVERNALE«, 2011 by Alberto De Michele.

»The Opposite of Backwards«, 2008 by Alicia Frankovich.

»Es ist nur eine Frage der Zeit«, 1992 by Felix Gonzalez-Torres.

»CONFRONTO«, 2008 by Cinthia Marcelle.

“Tarring wheels (from uncertain pilgrimage)”, 2006-2009 by Gareth Moore.

»Clover«, 2009 by Billy Rennekamp.

»spéculations immobilières« by Josué Rauscher (PDF).

»Untitles Sign No. 2«, 2008 by Kasper Sonne.

»Zero Demo«, 1980 by Endre Tót.

»Demonstration«, 2003, a mass demonstration lasting 2 hours with approximately 30 people demonstrating “nothing”. By Kelly Mark.

»Demonstration 5«, 2007 by Jacob Dahlgren.

Bronze casts of human sculptures, sculpted after three living sculpture street performers (Che Guevara, the Roman Soldier and the Dali Woman). By Christian Jankowski.

»Berliner Bordsteinjuwelen«, 2007, cut and polished found stones. By Alicja Kwade .

»The evolution of street trade« from the »Wild City / Genetics of Uncontrolled Urban Processes« a research into non-planned and barely regulated processes of urban transformations. By examining the city of Belgrade, over the past decade in the wake of the Balkan conflicts, a new physical layer of the contemporary city has been discovered and explored. Its wild topology has developed in opposition to a centralised, directed process of growth. A collaborative project by Ana Dzokic, Milica Topalovic, Marc Neelen and Ivan Kucina.

“Requiem for fossil fuels” by Sam Auinger and Bruce Odland.

“Broadway” is a five-channel sound installation comprising the columns that run through the gallery space and the entire building. The five columns, transmitting subtle vibrations generated by movement on the street and subway below, are transformed into loudspeakers, each of which plays out the sounds of Broadway in its individual resonant frequency. By Jacob Kirkegaard.

»Logo Contest« (2006). Logo competition initiated at designcontest.net, awarding logos for artists names.

»Courir les rues« (2006). By Gwenaël Bélanger.

»itwillneverbethesame.com« (2004) by Rafaël Rozendaal.

In the intervention »Trial-Living in Slubfurt«, the loggia at the Place of Heroes in Slubfurt* is directed westward. Folding-stools, table and grill-ton are ready to use. Interested parties are given a key to gain access to the loggia nearby the monument against Fascism. The walls are painted in the prefered colour of the temporary user (*Slubfurt is an artificial word, a combination of Slub(ice, Poland) and (Frank)furt at the river Oder).

In the intervention »Pulheim Castling« two square areas (5×5 meters) are selected. One is located in front of the Pulheim high school. The other is located in front of the abbey in the district of Brauweiler, a distance of 5 kilometres. With the help of a professional archaeologist the sites are measured, meticulously documented and then their locations are exchanged. Road surfacing, grass, asphalt, bicycle stands, a piece of fence and garbage bins change location. The cobblestones and their white marking lines are clasped in a steel girder for transport. They are carefully re-aligned in their new location.

The portable park bench »TRASBA« was designed with two configurations in mind. In it’s furniture-configuration the TRASBA provides seating space for up to 6 persons. In it’s mobile configuration it rests on the shoulders of one strong carrier-person. It can be moved effortlessly over several kilometres. All projects by Christian Hasucha.