“Just in case”, 2009 by Cinthia Marcelle. Tape on paper.
»Ghosting«, 2009 by Mounir Fatmi.
»Outpost of Progress«, 2009, hermits bivouac, wool strings, tape, by Michael Höpfner.
»I love you to the moon and back«, 2001 is a large-scale poster work in two parts – a pair of handwritten inlay cards from home-made compilation tapes that the artists made for each other. By Iain Forsyth & Jane Pollard.
“Kilometers of blank audio tape” – Installation/object consisting of 750 blank audio tapes. The common leght of all tape makes 101 kilometers and 300 meters – an approximate distance between main Vilnius’ and Kaunas’ exhibition spaces.
“Bumsteinas plays Baldessari sings LeWitt”. Video. Documentation video of the real time instrumentation of John Baldessari’s voice performance of Sol LeWitt’s Sentences on Conceptual Art. See also: João Onofre and John Baldessari.
Video “Still Alive”. All Projects by Arturas Bumsteinas.
Detail of “The Idea of being abstract” (radio packing, radio, painted paper, masking tape) by Kristina Bræin.
“Cleaned Object: The Truck”, tape on truck and “The Burakumaru’s Odyssey – Sonia” by Olivier Blanckart.
“Untitled (Masking tape)”, “Pencils”, “Chair”,
“Bubble machine” and “Graffiti printer” by Ariel Schlesinger.
»Bricks Are Heavy«. Musicians, artists and dj’s were invited to record one tape, all to be played at the same time on each boom box. By Rui Toscano.
“Der Letzte macht das Licht aus”,
“House West”,
“House America”, “House America/Stadion” and
“House America/Watertowers” by Ulrich Vogl.
»HUO Drawings«. In spring of 2003 Charles Gute had the privilege of proofreading Hans Ulrich Obrist’s Interviews: Volume 1. With an awareness of the author’s art world stature, paired with a name that seems to have a greater-than-average vulnerability to typographic inconsistency, these drawings were created as a kind of cathartic antidote.
»Dutch Tape Funeral March (Marcia Funebre from Symphony No. 3, “Eroica”)«. The work consists of 13 rolls of duct tape initially placed at the top of the 16-foot-high gallery wall. On the day of the opening the rolls of tape were released so that they could “roll” down the wall under their own weight, a process that took over 8 hours to complete. As the tape reached mid-wall, viewers were able to see that there was a continuous strip of sheet music attached to the adhesive side of each roll. This sheet music was an actual transcription of the second movement of Beethoven’s Third Symphony, also known as the “Funeral March,” the linear length of which had been scaled to fit the 16-foot span from ceiling to floor. One of each of the 13 orchestral parts from the original score had been applied to each of the 13 rolls of tape, effecting a kind of super-slow automated performance of Beethoven’s somber work.
»Ant Climb Study #2« (video still) is a perceptual study of duration and movement. Here a live ant climbs the adhesive side of a length of masking tape. Appearing as an abstract mark, the ant’s progress is steady yet nearly imperceptable, akin to the movement of a minute hand on a clock. All projects by Charles Gute.
»2000 Oracle04 V1« is a machine that turns books on tape back into books. By Kristan Horton.
White Noise, isolation tape.
Distributeur, container, tape, tape dispensers.
Curtain Wall, inkjet print on fabric. All work by Simone Decker.
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