»Apparition: The Today Show, NBC, December 31, 2004« by Matthieu Laurette.
“….” by Constant Dullaart and Ronald Snijders.
»the church of the future« and
»body magic« by Javier Morales and John Michael Boling.
»canterbury tales rap« and
»accidentalbluescreen« by John Michael Boling of gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com.
»Smells Like Teen Spirit« and »Thriller« from the series »Greatest Music Videos of All Time«. MTV compiled a millenium list of top 10 greatest music videos, all of the videos from the list were digitized in their entirety and the individual frames were simplified to their mean average color, eliminating overt content. These solid-colored squares were then arranged in their original sequence and are read left-to-right, top-to-bottom. By Jason Salavon.
In the installation »Infinite Loop« (2004) a camera is rotated on its side and pointed into a television at close proximity. The camera feeds the image of pixels on the screen back into the TV’s audio and video inputs. The auto focus and auto exposure struggle to gain some coherence expected in an image, but cannot. The result is a fluctuating, oscillating signal.
In »Thaw« (2004) an empty swimming pool, a large mass of black, volcanic, basalt street bricks is interlaced with bricks of white ice. The cube will fall prey to entropy over the course of approximately 8 hours. The ice bricks fuse together and hold on to the bricks as long as possible, causing the structure to warp and sway pendulously before collapse. The brick cube rests on a steel table and hovers over a mirror, which floats above the floor. The mirror has microphones attached to it, which pick up the stochastic dripping of water and is amplified in the space, counting off the time between collapses. Both projects by Chris Musgrave.
Still from »Conversations Wit de Churen 3: Da Young And Da Mess«.
»Kalup Linzy as Labisha The Diva«, performance documentation. Kalup Linzy is a video and performance artist. He plays many of the characters in his videos himself and enlists artist friends to perform the others. Many of the characters appear in drag, their vocal tracks either exaggeratedly sped up or slowed down. His videos build a narrative series which alternately mimics, lampoons, and inhabits TV soap operas’ fevered, melodramatic tenor and suspenseful cliffhanger endings.
To Fill The Sky. A series of seven fireworks were set off within a metal container with a glass front, the dimensions of an average television set. When played back, the usual televisual distance is shattered, and the events appear to be happening inside the television itself, perhaps even the product of the television in breakdown.
The Adjuster. The angle of each of the four main structural pillars at BloombergSPACE was altered by 1° using giant cardboard tubes. By Gaia Alessi and Richard Bradbury.
Stainless Steel Counter (10 of 9999).
House and 50 television sets all tuned to the same channel.
Private Conversations with Public Statuary. By Kelly Mark.
Darth Vader tries to clean the Black Sea with Brita Filter.
»Learn How to Fly over a Very Large Larry«. Daniel Bozhkov created a 300-by-250-foot likeness of Larry King using a 3-by-6-foot piece of quarter-inch plywood to flatten the mixture of timothy and milkweed growing in an isolated field in central Maine.
Yogurt reinforced with human DNA. All three projects by Daniel Bozhkov.
The Man of Speed’s helmet. By Juneau Projects.
The beauty royale, video installation with sculpted tv, woodchipper and dowel-mounted transducer microphones. A forest, computer system with small pine tree growing in casing.
Good morning captain, video installation with inkjet prints. A video of a scanner being dragged over a forest floor placed alongside printouts of the resulting scans.
Mic campfire. Six microphones were suspended above a large campfire in Grizedale Forest. The microphones were lowered into the fire in turn, the sound was relayed on a pa system. A rich future is still ours. A video installation where sheets of paper with attached transducer microphones are fed through a paper shredder.
Jiri Cernicky rented a limousine and decorated the hood with his girlfriends body.
»Home Explosion« is an environmental installation with lamp and video.
»Progres« sculptures and their manufacturing process in Moldavia.
Tear-shaped mini-amplifiers. All projects by Jiri Cernicky.
“Wallfilm” 1982 performance. Out of 48 bricks a wall is built in the darkness, during which time the wall functions as a projection-surface. Onto the wall is projected a film, showing the wall beeing dismantled with the same speed.
“Untitled” 1988; “Warsteiner” 1987; “Untitled” 1993 and other work by Dieter Kiessling.
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