»Moiré #3«, 2007 by Liz Deschenes.
“Personenanalphabet (A Portrait of the Artist as an Alphabet)”, 2008 by Anna Artaker.
“Environment transformer“, 1968 by Haus-Rucker-Co. Appliances that change sensory impressions for a limited time in a visual and acoustic way.
“SKIF++” is a collaboration of Jeff Carey, Robert van Heumen and Bas van Koolwijk.
»bricks«, 1999 (multiple photographs of a single brick are manipuated using photoshop in order to create a palette of isometric bricks, each facing a different direction) by Daniel Lefcourt.
»Seed of Worms« (demos unreleased “trail” feature) is a video made with »Whorld« software. Whorld is a free, open-source visualizer for sacred geometry. By Chris Korda.
Family album images of demonstrations by Church of Euthanasia and Chris Korda.
»Thinking Machine 4«, 2004 explores the invisible, elusive nature of thought. It is an artificial intelligence program, ready to play chess with the viewer. If the viewer confronts the program, the computer’s thought process is sketched on screen as it plays. A map is created from the traces of literally thousands of possible futures as the program tries to decide its best move. Those traces become a key to the invisible lines of force in the game as well as a window into the spirit of a thinking machine. By Martin Wattenberg and Marek Walczak.
»Wichita Lineman 1:3000 Scale«, 2001. The work derives from audio data of the 70′s country and western song “Witchita Lineman” (listen) by Glen Cambell. The landscape was generated from contour maps created from computer modelling data of the original song file. Computer audio visualisation processing software was employed to reconstruct the song using a series of 2D and 3D computer generated models from which the final version was modeled in clay and cast in glass-reinforced plastic. The geology of the landscape is a direct copy of the computer model created from the the song data and gets its characteristics from the XYZ axis of time-frequency-volume. By Calum Stirling.
The picture of two trains moving in opposite directions is exposed to the continuing process of digital compression. By first importing and then exporting the material of five seconds length into the software, the information of the footage is diminished step by step until the formerly concrete image vanishes into white. “Import/Export” by Wolfgang Bittner and Florian Kindlinger.
Video -and soundexperiments in the context of performance, installation and cinema by billy roisz/gnu.
Selection of various sound-artists and projects that are currently featured at this year’s Wien Modern Festival in Vienna.
Adversus solem ne Loquitor, 2003, is a periscope made out of books. A view through the cut pages to the miniature figure at the end and ultimately to the Siena sky. A homage to Galileo.
Enclosure, 2002.
Offshoot, 2004. A small Yew tree uproots itself, and strays from the path of its elders in search of
the unknown. By Anna Boggon.