»scratch-a-bit«, scratching the output bytes of your laptop’s trackpad “resonated” through hardware and software protocols. By Rodrigo Derteano.
»Untitled (Uniform Density Star Field)«, 2006, (an artificially created, uniform distribution of stars) by Damon Zucconi.
»20 Mistakes Make Me Wonder…«, 2007, (20 fluorescent lights prepared to malfunction) by Miguel Santos.
“Homographies” (Video), an interactive installation featuring 144 robotic fluorescent light fixtures controlled by 7 computerized surveillance systems and
“Pulse Room” (Video) by Rafael Lozano-Hemmer.
»Bitches Brew«, 2006, 13 minute video sampled from mostly male directed movies from the 60ies to today, the video shows women who take back control and power, fight off their attackers or take revenge on their assailants. By Heidrun Holzfeind.
“Flight” by Meridith Pingree. The sound of the footsteps is pitch-shifted it so low that the sound is barely audible, then amplified enough to create the live flapping motion in the bungee-suspended giant subwoofer creature.
“Dead Room” by Camille Norment.
For 3 minutes and 33 seconds at a time, eight large sub-woofers pulse a rhythm of bass frequencies that are too low for the human ear to actually hear. The space is silent, but the sound can be seen as the woofers throb their play cycles, felt as the sound waves move through the body creating a subtle intangible disturbance, and heard in the ‘helium voice’ disruption of the visitors’ voices.
“Organism”, a combination of an organ concert and a time based lightshow, by John Dekron and Gonzales.
»Woodhouse Bowling Club«, 2006, computer animation, and »Campiello S. Vidal 9:30 – 17:30«, video. By Svetlana Mircheva .
« Vorherige Seite — Nächste Seite »