»A Propósito« (1997) consists of a sculpture of 120 stolen car stereos obtained on the black market, and a looped video projection documenting the artists stealing a car stereo.
»Jedbangers« (1998-2002) deals with the sub-culture of headbangers in Mexico City at the same time as it becomes an allusion to ancient transcendental practices. The video projects onto a screen sitting on top of a wall of speakers that constantly emanate white noise. Both projects by Yosuha Okón.
»Arm Wrestling Game System«, 1983. By Shiro Takahashi.
»My Journeys By Car«, 1971 – 2004. Photo documentation of Shiro Takahashi’s world journeys made by car.
»In Da Club, 50 Cent, #1 on the US charts March, 2003« by Hadley and Maxwell.
»Demonstration about Nothing« (2007) by NODE in collaboration with Kristjan Mändmaa and students from the Estonian Academy of Arts.
“C5 Casino” – a roulette wheel was marked on a shut-down fountain in the centre of a roundabout at Europa-Platz in Aachen. The roulette ball was replaced by a moped rider. The corresponding casino was situated in a high-rise flat overlooking the square. By C5.
»Believe« (Levitation in the Studio) 2002 and »Untitled« (Vulture in the Studio) 2002 are two of three videos taking place in João Onofre’s Lisbon studio. »Believe« pits the eternal power of magic against technology by inviting a traditional magician couple to perform a levitation in the artist’s studio. In (Vulture in the Studio) the wild animal climbs onto the tables mounted on easels that enclose the studio space, nibbling on the sheets of paper pinned to the wall as well as the books and catalogues arranged on shelves, and tries to take flight.
In the third video »Catriona Shaw sings “Baldessari sings Lewitt” re-edit, “Like a Virgin”« 2003, a passable vocalist interprets Madonna’s famous song Like a Virgin, but with altered lyrics: excerpts from Sol Le Witt’s “Sentences on Conceptual Art” 1969, which had already been sung by John Baldessari in 1978. Accompanying the video is an extended version original video soundtrack was released. Vinyl record, edition of 20 pieces.
»Instrumental Version« 2001, features the Chamber Choir of Lisbon, performing an acappella version of “The Robots,” an old electronic favorite from Kraftwerk’s 1978 album Man Machine. Vinyl record, edition of 20 pieces. All works by João Onofre.
»Ug 1« by Holger Salach.
»0:0«, found photographs, various sizes. Holger Salach in cooperation with Stefan Burger.
Proben A-K. Over a few week period of exploring the supermarkets, analysing their structure and positioning of products, Jochen Schmith staged falls on the so called hot spots. Those are often marked by the product towers and are also there to leade the streams of shoppers into the right direction. The reaction of the customers led to the creation of so called “chaoscommunities”, which were right away occupyed by trying to restore the order.
