VVORK

Installation, 2010 by Suse Weber.

“The wall”, 2010 by Peter Sandbichler.

»Time-based currency prototype«, 2009 by Mladen Stilinović for the Time/Bank project.

»As You Fade Away«, 2007 by Erik Larsson.

“Wald [Forest]“, 2006 by Daniel Hafner.

“Tarnung #3”, 2009 by Rob Voerman.

“Fake Column”, 2002 by Jose Dávila. Cardboard boxes.

“Henry Moore for the poor”, 2008 by Gelitin.

»Relief«, 1997 by James Carl.

“Jessica/Stuart Yellow”, 2007 and “Macula B/8”, 2006 (cardboard) by Tobias Putrih.

“In the 1960s and 70s capitalism was subject to criticism by conceptual artists like Hans Haacke, Claes Oldenburg, etc. Ironically, critical works from this period are now found in corporate art collections…”

From »On The Prowl« by Miriam Steinhauser.

»HQ/Cut-Out Munich IV«, 2006, »HQ/Cut-Out London IV«, 2006 and

»Model Headquarter Vavey«, 2006 by Miriam Steinhauser.

“Nothing Happens” by Nurit Bar-Shai, Rich Miller, Yishay Schwerd and Zachary Lieberman.

»Rocking Reflexion«, 1999, and

»Rocking Rug«, 1999, by Catherine Bolduc .

»Tuning« (2002) by Nicolas Milhé.

“Vanités” by Pierre Vanni.

“Hyperespace” and

“Matso” by The Chapuisat brothers.

»Promise (American Style)« (2003) by Caroline McCarthy.

“Der Letzte macht das Licht aus”,

“House West”,

“House America”, “House America/Stadion” and

“House America/Watertowers” by Ulrich Vogl.

»The Classic Style Triple Grilled Islington 3000« is a garbage unit with a cut-out cardboard screen, the pattern straight out of the DIY book on “how to obscure that unsightly radiator”. By Howard Dyke.

“Coming Soon” by Oscar Tuazon.