“114 kW” – On entering the installation, museum visitors and passers-by are exposed to the focussed radiant power from a total of 114 kW lighting energy. Illuminance of the installation is 150,000 lux. Illuminance of the sun on a sunny summer day is 100,000 lux. By Siegrun Appelt.
“Untitled” (ice cream taster spoons), “Untitled” (Hawaiian punch diluted with varying ammounts of water) and “Untitled” (shopping carts) by Milton F. Stevenson V.
“VW Passat C” and
“Mini Salon” – a whole room called »Mini Salon« was took of with spray colour onto a canvas. The canvas was measured to fit onto a wheel structure which is exactly the size of the space minisaloon. By Emanuel Fanslau.
»Applied Geometry« (2004) and »The best circular bike ever made« (2003).
»Harness« (2006, A mouse cage mated with a music box. The compulsive energy of a running mouse generates Brahm’s Lullaby) and »Vacancy« (2006, altered toaster) by Robert Wechsler.
»Her 19th Foot«. Installation by Yutaka Sone.
»Black-out« (2005), »Chimère2« (2004) and »La juste mesure« (2003) by Pierre Philippe Freymond.
Swans swimming geometric formations. Video by Christoph Schreiber.
Circulator
The Boy Is Found, Fitness and Hariri by Hrafnkell Sigurdsson.
art-rock-band thalija. homepage myspace
Yokomono consists of 10 small car-shaped record players, a corresponding set of FM radios and two mixing desks. The cars, known as “vinyl killers,” have been customised with wireless FM transmitters. As they spin around the vinyl, they transmit their signal to the FM radios tuned to a special Yokomono frequency. This transmission is then mixed, edited and manipulated in real-time by members of the Staalplaat Soundsystem.
Further sound installations by Staalplat Soundsystem.
Apocalypse Ballet, 2006, by Mai-Thu Perret.
In reference to the portraits by Yuta Ukai, Danchez sent us his version of a dot portrait shown above, based on a self programmed flash script. Danchez was inspired by this clip.
Portraits by Yuta Ukai of Asyl Crack.
Kiki Seror at I-20 Gallery.