VVORK

“GSP004”, 2005 by Stéphane Dafflon.

“www.internetisnot.tv“, 2008 by John Michael Boling.

»Belgian Flag«, 2006 by Justin Morin.

»Union Fargekart/ Union Colour Chart«, 2007,

»Believe & Succeed Part l and Part ll«, 2006 by Marte Johnslien.

»Perfect Rainbow«, 2004 by Mai Hofstad Gunnes.

»Untitled«, 2008,

»Untitled«, 2007 by Tobias Madison.

»Coloration du Grand Canal, Venice«, 1968 (3 Km of the Gran Canal waters dyed green) by Nicolás García Uriburu.

“Flags” from the series “Celebrating RGB color space” and

“Back drop #1” from the series “Body of light” by Katja Mater.

For her project »Postcards«, 2007, Katerina Drzkova systematically collected postcards from the 1960s to the 1980s. They are never identical. The pair »Tropical Beach« differs in several details and a time shift of a few minutes is apparent. Different photographers are named at the back, a different place and time of posting, the addressee is the same.

»Refugees«, 2007. Documentary photographs of refugees digitally manipulated and colored. The refugees appear in new spaces constructed according to their wishes. By Katerina Drzkova.

“Die Farbe der Meere (The color of the seas)” by Kirsten Pieroth. Water samples from the Red Sea, the White Sea, the Black Sea and the Yellow Sea.

www.colorflip.com (2008) by Rafaël Rozendaal.

»Out Of Order #5«, 2005, 58 library books on shelf.

»Out Of Order #1«, 2005, installation view: 53 library books with sun bleached back covers. By Marianne Viero and Laurenz Brunner.

»Schneezeichnung« (2007)

»Home 2« (2007) by Olaf Breuning.

“Fontaine” and

“Dropping #3” by Vincent Ganivet.

»74 Farben«, 2007, a light box, containing all 374 pages of the 2007 IKEA catalogue, each simplified to a rectangle of pure color and arranged left-to-right , top-to-bottom. By Jason Salavon.

»Melamine coated structure«, 1999

»Europalette«, 2000 by Mathieu Mercier.

Erwin Redl.

»Serie 1024 x 768« by Johannes Franzen. This is an artist programmed software that makes a new image appear in a five to ten second interval. This means that for every new picture the computer program assigns a color to each of the 1024 times 768 dots. The machine does not proceed linearly, i. e. attribute a different color one by one to the dots on display. Rather, a random generator turns out new colors for all the dots with each new calculation; every time, every theoretically possible image can appear.

Excerpt from »Blue, White and Red (tracking colors in Kieslowski’s Trilogy)«, 2007 by Aleksandra Domanovic.

»Terrasse« by Margot Zanni.