VVORK

»Untitled (Styles, Crews, Flows, Beats)«, 2007, Marijn van Kreij




»State Britain«, 2006 by Mark Wallinger.




kebab1.jpg

»WADA’s TASTY KEBAB«, (2002) by Masahiro Wada.




disneycouture_karialtmann.jpg

»Disney Couture«, 2007-1937, and

paramountains.jpg

»Paramountains«, 2008 by Kari Altmann.




»DÉJÀ VU – THE SEVENTH INTERNATIONAL LOOK-ALIKE CONVENTION«, (2004) by Matthieu Laurette.




THIRTY-TWO FINGERS.jpg

»Thirty-two Fingers «, 2008, is a three-week collaborative exhibition by Sophie Dejode, Bertrand Lacombe and Philip Vormwald at PROGRAM, replicating it’s exhibition space at a smaller scale.




Picture 43.png

For her project »Postcards«, 2007, Katerina Drzkova systematically collected postcards from the 1960s to the 1980s. They are never identical. The pair »Tropical Beach« differs in several details and a time shift of a few minutes is apparent. Different photographers are named at the back, a different place and time of posting, the addressee is the same.

refugees.jpg

»Refugees«, 2007. Documentary photographs of refugees digitally manipulated and colored. The refugees appear in new spaces constructed according to their wishes. By Katerina Drzkova.




603.jpg

“Reconstruction of the oldest piece on earth” and photography of the oldest piece on earth (Text on photo: Oldest piece on earth/approx. 80 million years/No Photos/National Maritime Museum Greenwich. GB). By Mahony.




Keys_Vinny_web.jpg

“The Visual Topography of a Generation Gap ( I, II, III)” by Daniel Bejar. This video installation consists of a set of keys and a video. Each set of keys began with an original key. A copy was made from each original key, then a copy was made from that copy. This process was repeated until the original keys information was destroyed, resulting in the topography of a generation.




82383003.jpg

»Untitled« (Perfect Lovers), 1991. These two identical, adjacent, battery-operated clocks were initially set to the same time, but, with time, they will inevitably fall out of sync. By Felix Gonzalez-Torres.




uhr.jpg

“Two Clocks” (1992) by Dieter Kiessling.




hourglass.jpg

“Hourglass Mirror” by Daniel Rozin. The image of the viewer is created by the movement of the grains of sand in the upper part of the hourglass, in the lower part of the hourglass a representative color of the viewer is settled to create a sediment that keeps building up creating a history of a few minutes worth of viewers. Video.




The_Persistence_of_Memory.jpg

»The Persistence of Memory«, 1931 by Salvador Dalí.




picture723.jpg

»Plight 2«, 2007, by Matthieu Laurette. An update of the 1985 Joseph Beuys installation »Plight« originally exhibited in London and then bought by and reconstructed at the Centre Pompidou in Paris.




lovid8.jpg

More of the Same” loads copies of one sound sample, causing the system to produce different sounds. By LoVid.




IDEA_6942.jpgTERRAFORM_6920.jpg

3D prints of Second Life buildings by Andreas Angelidakis.




Koons.jpg Nan.jpg

“Balloon, London, after Jeff Koons” and “Nat, after Nan Goldin” from the series “Afters” by Thomas Lélu.




anginolimpio Kopie.jpg

»Vaso y Spray«, 2002. »Dípticos de lo mismo«. »Untitled (The Photo of the Papers)«, 2002. By Ruben Ramos Balsa.




splash.jpg

»After action for another library«, 1999-2003, by Tom Nicholson.




cles.jpg

»Sans titre«, 2007 (copy of keys made out of glass) by Taysir Batniji.




« Vorherige SeiteNächste Seite »