VVORK

»Untitled (Other Mythologies I)«, 2008 and

»Forged Territories II«, 2006 by Jasmina Cibcic.

“Fish, Plant, Rack”, a quasi symbiotic environment for machine, fish and hydroponics by Hostprods.

“Audio Monitors” by Simon Blackmore. Resembling speakers, each monitor the sound levels in the space. When the the sound level is low led counters start to count up in seconds, displaying the amount of quite time in the space.

»Long Wave Goodbye«, 2006, 33-minute sound loop by Michael Day. “Some sounds persist as signifiers of other meanings even though they rarely occur in daily life: the screech of a stylus being pulled from a vinyl record is often used as a clichéd way of drawing the audience’s attention to a sudden change of pace in visual broadcast media, even though very few people under the age of 20 will recognise the source of the sound or what it originally signified. Tuning, or dead air, may well end up the same, a signifier dislocated permanently from its signified. This piece presents a transition across the full range of the long wave spectrum available on the Technics SA-200L.”

»Revival Field«, 1990-1993. On eighteen square meters of ground in Pig’s Eye landfill in St. Paul, Minnesota, contaminated with cadmium and isolated by metal barriers, Mel Chin made a smaller circle divided into six zones comprising of various species of decontaminating plants (absorbing heavy metals such as zinc and the cadmium). Plantings lasted until the site was detoxified.

»Landing Pattern LGA« by Kevin Cooley.

“Blast #6” and “Blast #3” by Geert Goiris. See also Sarah Pickering.

»Terrasse« by Margot Zanni.

“Processual Minimalism” – a colony of forest ants constructing a hill. By Klaus Mosettig.

“Rooftop Room” consists of a tin roof constructed on top of a privately owned flat-roof house in Kustepe, Istanbul.

“Permanently Unfinished House with Cell Phone Tree”. A cell tower is disguised as a tree. The house remains unfinished, so the owners can avoid paying taxes. Visual pollution and deregulation shape both the built and the natural environments. All Projects by Marjetica Potrc.

»The Landscape Is Changing« (2003) shows demonstrators marching in silence through the streets of Tirana with blank mirrors.

In »Double Heads Matches« (2002/03), the production of 20.000 boxes of double-headed matches at Gherla Match Factory in Romania is documented. The production is done manually as the double-phosphorus dipping is not realizable through mechanic production.

»Diamond Corn« (2005). All three projects by Mircea Cantor.

“Broken Forest” by Henrik Håkansson.

Darth Vader tries to clean the Black Sea with Brita Filter.

»Learn How to Fly over a Very Large Larry«. Daniel Bozhkov created a 300-by-250-foot likeness of Larry King using a 3-by-6-foot piece of quarter-inch plywood to flatten the mixture of timothy and milkweed growing in an isolated field in central Maine.

Yogurt reinforced with human DNA. All three projects by Daniel Bozhkov.

Revolution series by Tilman Peschel.

Adi Nes

“Design by Scanner” and

“Design by Explosion” by Front.

Sound recordings from the inside of the nuclear powerplant Barsebäck: Requiem for Barsebäck by Jacob Kirkegaard and Tobias Kirstein.

“Beatbox” by Andy Huntington. Video.

Mapping by Jon Paludan. Use the arrowkeys to get around the World.

The Icelandic Love Corporation.