»Vasarely Foundation«, 2008 by Leon Chew.
“For objects and the infinite – like or after a Katarzyna Kobro exhibition design (retitled and changed display)”, 2011 by Lasse Schmidt Hansen. Glass, wood, paint.
“For objects and the infinite – like or after a Katarzyna Kobro exhibition design (retitled and changed display)”, 2011 by Lasse Schmidt Hansen. Glass, wood, paint.
“Crane”, 2010 by Hilary Lloyd. JVC LCD 42” monitor, Western Digital HD media player, Unicol twin column mount.
From the exhibition “Playtime without a perspectograph”, 2010 by Magali Lefebvre.
»Various fungi – 20 species«, 1827, including the fly agaric (Amanita muscaria), death cap (Amanita phalloides) and Boletus and Agaricus species. By A. Cornillon. High Society.
Installation view of “The Grid System – A Regime”, 2010 by Jess Flood-Paddock and Spartacus Chetwynd.
Documentation of »Multiplex«, 22.4. – 25.4. 2010, curated by vvork.com for peer to space, Munich. Works by Paul Chan, Michael Bell-Smith, Timur Si-Qin, Agnieszka Polska, Guthrie Lonergan, Rafael Rozendaal, Constant Dullaart, Charles Broskoski, Joel Holmberg, Kari Altmann, Hayley Silverman, Petra Cortright, Anouk Kruithof, Harm van den Dorpel, Michael Aschauer, Carla Edwards, Damon Zucconi, Laura Brothers, Ken Seeno, Eve Essex, Chris Collins, Matthieu Clainchard, Alex Delany, Brock Davis, Billy Rennekamp, Dena Yago, Jason Lee, Annika Larsson, Manuel Gorkiewicz, Will Rockel and John Michael Boling.
From “Adventures In Immediate Unreality.“, 2010 by Anders Bojen and Kristoffer Ørum.
“Stapel (Stack)” and “Klumpen (Chunk)” from the exhibition “Atlas”, Secession, 2010 by Nicole Six and Paul Petritsch. “Klumpen (Chunk)” is a concrete cast of a hollow in the wall of the Secession. Nicole Six spent 24 hours in this space, and the sculpture thus also represents the minimal dimensions of her body.
“Untitled (Crunch Time)”, 2009 by Matias Faldbakken. Facsimile of “The Economist”. Print edition for free distribution.