“Blue side up” by Servet Kocyigit.
»Volkswagen« (2004) by Markus Hansen.
»Ill Prepared Piano« (2003). A classified ad in a local newspaper was answered on the day of the performance and a professional piano tuner was hired to repair the gallery piano as the evening’s final performance. By Dave Dyment.
“Glowing, Glowing, Gone” – Gallery lights are replaced with UV tanning bulbs during the exhibition. Visitors leave, glowing – a visible affect which soon fades. By Jack Falanga.
»Wall (Catriona Jeffries Gallery), Wall (Vancouver Art Gallery), Wall (Contemporary Art Gallery), 2005, by Arabella Campbell.
»Role Exchange«, 1975 performance by Marina Abramovic. This dual performance was executed in two institutions, De Appel Gallery and the Red Light District in Amsterdam. For the opening night of the artist’s exhibition, the prostitute went to the gallery, the artist’s working place, while the artist, assuming the role of a prostitute, went to the Red Light District, and set in the window, the prostitute’s working place.
»More Than a Feeling«, 2001. »Punchline«, 1999. Performances by DAMP.
»It’s a World full of Hurt«, 2007, papier mâché piñata collective performance. The 74 and continuing members of collaborative art group, DAMP, have been working togeather since 1995.
»Page 181 of Mrs. GILLRAY«, 2007 by Mathew Hale shown at Clockworkgallery. Clockworkgallery uses the public advertising space of a turnable lightbox at Mehringplatz/Berlin to present 12 solo exhibitons a year.
»Collected Neons From Art Spaces« by Arin Rungjang is an installation that incorporates neon lights collected from over twenty art spaces in Paris.
Pictures of Space Invasion, an exhibition series that takes place in changing spaces in order to revive various districts of the city in the course of temporary invasions.
»Daimlerstraße 38«. The fox photos are the result of a pseudo-scientific research project about biology and geography in an industrial waste land. Tue Greenfort collected garbage to construct the photo trap for observing the foxes he discovered in that area. The animals were lured by a sausage. When the fox bit into the bait, it activated the camera connected by a cord to the sausage. One week later, the animals had learned to eat the sausage without being photographed.
»Water Cooler« uses frozen fruit juice to cool water brought up from the point in Witte de With’s cellar where it enters the building. The intervention into the functional architecture of the institution takes Tue Greenfort’s exhibition beyond the gallery space, integrating his work into the building’s infrastruce.
»Backworlds/Forworlds«. Skateperformance and sculptures by Mark Gonzales and Johannes Wohnseifer.
»Powered By Honda/Strobedots« a soundinstallation and »Without Title« from series »Hondabeats« by Johannes Wohnseifer.
Performance “Stolen kiddy bike”,
live performance object “Crack Canavas”
and posters by Sonido Gris.
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