VVORK

»HOME STUDIES /// GEODES«, 2011 by Nicolas Sassoon.

From “Muush” by Brenna Murphy.

»Impractical Object in a Practical Space« by Lili Huston-Herterich.

Screenshot from “Babbage loop”, 2008 by Claire L. Evans.

»SELF-PORTRAIT WITH REMOTE CONTROL«, 2008, a video installation featuring a single image that shakes endlessly on a tv screen, by Randa Mirza.

»Sunrise«, 2009 by Jordan Rhoat.

“Polygord” by Math Wrath.

»GOLD DRIP«, 2009 by Petra Cortright.

Dajiyuan, Daily Jang, Frankfurter Allgemeine Zeitung, USA Today and Wallstreet Journal Europe. »Online Newspapers«, 2004, by Olia Lialina.

»Iguana (Oh Yeah)« by Travis Hallenbeck.

“Onanist, 2008“, 2008 by Aleksandra Domanovic.

rectangle (2008) by Constant Dullaart.

Rectangle (2008) by Harm van den Dorpel.

»guns gone wild«, 2007 by Javier Morales.

»1982« (2000) is an installation of light and sound at the subway station Gerdesiaweg/Rotterdam. The existing illumination is transformed into a light organ. The lights respond disco-like to the music playing over the intercom. This music consists of hits from 1982, the year the station was built. The replacement of the entire interior is also the end of this installation, which is meant as an ode to the year of the station’s construction.

»GIF Museum« (2006) is a pocketmovie for mobile phones constructed from a collection of found GIF’s. Both works by Peter Vink.

»Bir+h Of Venus« (2002) and

»Surfin’ USSR« (1991) by Delaware.

»Best« (2006).

»Télévision Pour Internet« (2003). Both projects by Claude Closky.

Too Slow To Live is Delaware’s seventh album. The audiovisual compositions will only be published and exhibited online.

Allopam.