VVORK

“Surfers”, 2006 by Damien Roach.

»She is in wonderful shape!«, 1977 by Guy de Cointet.

»Yes I Can!«, 2008 by Tobias Madison.

»Flüchtige Gewissheit«, 2004, by Gerhard Mantz.

»004«, 2008 by Takeshi Murata.

»Greatest Hits in Spanglish« by Pascual Sisto.

»Fragments from the Edge of Los Angeles (detail 1)«, 2001,

Preliminary image for »The Triumph of Democracy«, 2008,

»ether machine«, 2007,

»www.automaticcity.com«, 2007 by Benjamin Edwards.

From “crushrmx_.20”, 2008 by Julien Ducourthial.

»Ink On Paper«, 2008,

»Cover«, 2007 by Lars Morell.

“O-Ton”, 2002 by Christoph Priglinger. Quotations of soccer-players mown into artificial lawn.

“Night Stand” from the series “Library” by Brandon Lattu.

“Best…flame war ..Ever” by Eddo Stern. Video.

“Big Finish” and “Delivery Dawgz” by Brian Kenny and Slava Mogutin.

»Morphotransformations«, 2006 and

»Optoshaker«, 2006, examines the technical process of image-presentation of thermionic monitors by making the skull vibrate, and thus the eye of the observer. Through interferences between the frequency of the monitor‘s image structure and the vibrations of the eye the presented freeze image changes. By Daniel Hafner.

»Virtual Interiors«, 2007 by Annett Zinsmeister.

“Décontruction Marchande” by Coline Sunier.

»Empire« (2006)

»Limo Custom Kolkoz« (2006) by Davide Bertocchi.

“Vergina Sun” by Hubert Blanz.

“Reenactment of Chris Burden’s Shoot” from the series “Synthetic Performance in Second Life” by Eva and Franco Mattes aka 0100101110101101.ORG. See also “Shoot” by Chris Burden.

Different perspective views of the Matterhorn mountain from the »Geologie des Matterhorns 3D«, 2003, a cartographic work by Peter Staub.