VVORK

»Forecast«, 2011 by Anne de Vries.

»Opening The Chakras«, 2009 by Eilis Mcdonald.

»Untitled (Reference Library)«, 2010 by Lance Wakeling. The artist uses an internet-based trophy-making service to create trophies, one for each book he read in 2010.

»HOME STUDIES /// GEODES«, 2011 by Nicolas Sassoon.

»Infinite Column TV«, 2011 by Lance Wakeling.

From “Muush” by Brenna Murphy.

»Salutations de l’utopie féministe«, 1996 by Sue Bustin.

»Impractical Object in a Practical Space« by Lili Huston-Herterich.

»2011« by Claude Closky.

»The Smart Frrridge«, 2010 by Yngve Holen.

春望
国破山河在
城春草木深
感时花溅泪
恨别鸟惊心
烽火连三月
家书抵万金
白头搔更短
浑欲不胜簪

Nation shattered,
mountains and rivers stay;
The city is in spring, deep
in trees and weeds.
Lamenting the times,
flowers shed tears;
Regretting the parting,
birds cry in bleak heart.
Three months long
warming-fires burn on
towers;
A letter from home is worth
ten thousand gold.
The white hair thins from
fingering;
There’s hardly enough to hold a hairpin.

»Spring View«, 757 (High Tang Period) China, by Tu Fu. Found on Nobelprize.no, an internet site-specific project conceived and curated by Alejandra Salinas and Aeron Bergman.

»RYAN’S WEB 1.0«, by Ryan Trecartin.

“Live Feed”, 2007 by Erin Shirreff.

»leaning+tower+pisa«, 2005 by Meggan Gould.

»The Sound of Facebook« by Ryder Ripps.

»The Sound of Gender X&Y« is a computer generated audio feed of live Internet data from the National Institute of Health’s sequence of the Human Genome. By Diane Ludin & Marius Shebella.

Promo video for a guided tour of Second Life by Jon Rafman.

»Cinderella«, 2010 by Claude Closky.

»Like Totally«, 2010 by Timur Siqin.

»Fata Morgana«, 2010 by Damon Zucconi.