“Spartacus (Light)”, 2007 by Eva Grubinger. Flood Light, powder-coated steel, PVC-coated wire mesh. From the project “Spartacus.
“Between You and I”, 2006 by Anthony McCall. Vertical solid light installation, two video projectors, two haze machines. Video (“You and I, Horizontal III”, 2007).
“Wild Signals”, 2007 by Kevin Schmidt. The videoinstallation features the five-note melody that served to communicate with extraterrestrials in Steven Spielberg’s film “Close Encounters of the Third Kind”.
»Angle«, 2008 by Darri Lorenzen. A pole hung at an angle slowly rotates in the middle of a space. During a one-minute sequence, bright lights directed at the pole gradually fade out, pause, and fade back in. As the space becomes darker, the pole glows.
“now vs. then vs here vs. there vs this vs. that vs me vs. you vs. us vs. them“, 2008 by Hayley A. Silverman.
Single-channel video, mirror, Powerbook G4 (DVD loop, w/sound).
Untitled (Lamps #5), 2005 by Idan Hayosh. Formation of high wattage lamps. The lamps’ electric current sound is looping through speakers.
“Soil Core Samples from The Lightning Field” by Uffe Holm. (Adhesive foil, fluorescent light tubes, lightning fixtures, electrical wires, timer).
“Lichtbilder”, 2003-2005 by Ruth Schnell. The letters are transformed into high-frequency light-pulses. The messages emerge by horizontally moving the visual field.
“Everything You Rearranged/Everything You Left The Same (The Branch)”, 2008 and “Everything You Rearranged/Everything You Left The Same (The Car)”, 2008 by Alexandra Navratil.
“Setting #14“ (16mm-projector, Super8-projector, 3 slide-projectors), 2008 by Christoph Meier.
« Vorherige Seite — Nächste Seite »