“Loop System – Major Third 5:4, Four Part Counterpart” by Conrad Shawcross.
»Untiteld«, 2005 by Job Koelewijn.
“Floating Color Bands and Arcs in Six Directions”. A video-loop based on Sol Lewitts painting series “Color Bands in Four Directions” and “Color Arcs in Four Directions”. By Christoph Blum.
The picture of two trains moving in opposite directions is exposed to the continuing process of digital compression. By first importing and then exporting the material of five seconds length into the software, the information of the footage is diminished step by step until the formerly concrete image vanishes into white. “Import/Export” by Wolfgang Bittner and Florian Kindlinger.
»Autobahnschleife (motorway loop)«, 1996, offers the driver a chance to leave the motorway at a sign-posted exit and take a 360 degree bend which loops back to the motorway, rejoining it at the point where he left.
»kurz vor fünf (shortly before five)«, 2001, combines the disciplines of film and photography, in which the 4,290 individual frames from each of several short films have been printed to form a chronologically sequenced photo-mosaic to make up one large image for each film.
»Olympic Pong«, 2003. All three projects by M+M.
In the installation »Infinite Loop« (2004) a camera is rotated on its side and pointed into a television at close proximity. The camera feeds the image of pixels on the screen back into the TV’s audio and video inputs. The auto focus and auto exposure struggle to gain some coherence expected in an image, but cannot. The result is a fluctuating, oscillating signal.
In »Thaw« (2004) an empty swimming pool, a large mass of black, volcanic, basalt street bricks is interlaced with bricks of white ice. The cube will fall prey to entropy over the course of approximately 8 hours. The ice bricks fuse together and hold on to the bricks as long as possible, causing the structure to warp and sway pendulously before collapse. The brick cube rests on a steel table and hovers over a mirror, which floats above the floor. The mirror has microphones attached to it, which pick up the stochastic dripping of water and is amplified in the space, counting off the time between collapses. Both projects by Chris Musgrave.
»Ball Machine.« Tennis balls bounce of the walls and make a trajectory that leads back into the ball machine. By Patrick Martinez.
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