VVORK

»stain #1«, 2009,

»Grace«, 2009 by Luke Barber-Smith.




»Versions«, 2009 by Oliver Laric.




»DeTouch«, 2006 by Evan Roth.




“UHU”, 2007 by Fabian Marti.




Excerpt from »Alone. Life Wastes Andy Hardy«, 1998, by Martin Arnold.




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For her project »Postcards«, 2007, Katerina Drzkova systematically collected postcards from the 1960s to the 1980s. They are never identical. The pair »Tropical Beach« differs in several details and a time shift of a few minutes is apparent. Different photographers are named at the back, a different place and time of posting, the addressee is the same.

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»Refugees«, 2007. Documentary photographs of refugees digitally manipulated and colored. The refugees appear in new spaces constructed according to their wishes. By Katerina Drzkova.




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»Attributing Value (Refractions)« by Damon Zucconi.

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»Neon from Museum Boijmans Van Beuningen installed at Galerie West« by Arin Rungjang.

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»two hundred fifty googled images« by Katerina Matsoukis is a printed email showing two hundred fifty image search results for the words two, hundred, fifty, googled and images.

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»Canon Remix« by Haroon Mirza.

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»Logo Hallucination« by Christophe Bruno.

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»four weddings and a funeral« by John Michael Boling.

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»Dialectics of Subjection #4« by Anetta Mona Chisa and Lucia Tkacova.

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»POST-POST-PRODUCTION« by Julien Prèvieux.

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»BUBBLECARS« by Collectif-Fact.

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»Canon« by Bad Beuys Entertainment.

Documentation of »Bad Beuys Entertainment, Boling, Bruno, Chisa & Tkacova, collectif_fact, Matsoukis, Mirza, Prévieux, Rungjang, Zucconi« curated by VVORK for Galerie West, Den Haag, 6.10.-3.11. 2007.




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»The news with closed eyes« (2007) video by Constant Dullaart.




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»Autobahnschleife (motorway loop)«, 1996, offers the driver a chance to leave the motorway at a sign-posted exit and take a 360 degree bend which loops back to the motorway, rejoining it at the point where he left.

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»kurz vor fünf (shortly before five)«, 2001, combines the disciplines of film and photography, in which the 4,290 individual frames from each of several short films have been printed to form a chronologically sequenced photo-mosaic to make up one large image for each film.

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»Olympic Pong«, 2003. All three projects by M+M.




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»Les Reflets« (Sandwish Turc, Loto, Opticien and Hong-Kong Fast Food) from 2004 Franck Scurti.




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»Talk me out of it 02« by Guido van der Werve.




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“Photoshop Performance” by Oskar Dawicki,

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“LEGO Concentration Camp Series” by Zbigniew Libera,

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“Map Trap” by Wilhelm Sasnal and

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“Faith in Means of Transport” by Zbigniew Rogalski. All: Raster.