VVORK

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“Phono/Graph” by Ed Davenport.




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“Machines”, many different mechanical orchestras and

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“Yokomono White” with Hassan Khan by Staalplaat Soundsystem.




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»10 Beach Boys Songs«, 2006 by Graham Dolphin.




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»Top Ten«, 2005. A pie-graph of the top ten selling records of all time is recreated as a record, using proportional wedges from the records involved, which include The Eagles, Michael Jackson, Boston, Led Zeppelin, AC/DC, Pink Floyd, Fleetwood Mac, The Beatles, Elton John and Billy Joel. By Dave Dyment.




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»In My Place«, 2004. Hidden camera video filmed at a peep show in Bogotá Colombia.

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»Desired Objects«, 2007. Photographic record of thieves captured at a store in Medellín, Colombia.

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»Knife Sessions«, 2006-2007. Educational video series on “how to stab” people correctly. By Edwin Sanchez.




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»Cat and Dog« 2006, by Thomas Webber.




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»Shots« (2002/3) Recording done in Culiacan, the capitol of the Sinaloa state, in Mexico, from 23:00 on 31 December 2002 until 00:30 on 1 January 2003, during the New Years celebrations. The recordings include live rounds from shot firearms and assault rifles. By Santiago Sierra.




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»Jeff’s Top Ten (For the last month I was single)«, 2004 (acrylic on paper) by Dave Muller.




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»Discotek«, 2006 by Sivan L. Rubinstein




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Wolfgang Fuchs is working on integrating musical instruments and hardware – with mainfocus on recordplayers – into modern musical practise.




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»Vinyl«, 2006. The ice tray of a record by Lyota Yagi. Video.




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“We are car” – Utilising a running motorbike engine as a musical instrument in order to record and subvert selected Rock classics, exploring parallels of emotional thrills induced by acceleration, speed and Rock. By David Muth in collaboration with Chris Lum.




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»Death to Everyone« (2006) by Lars Eijssen.

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»Love Aktion Machine« by Lars Eijssen, Mark Bain and Anuschka Blommers. Record sleeves by Experimental Jetset.




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Nadim Vardag.




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»Marclay’s Bike«, a modified BMX from 2006 and »Delay« (Microphone, tripod, power amplifier, revox, cables) from 2005,

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»Rushmore Mount« from 2005 and »Burning Mrs O’Leary’s Cow« (DVD video) from 2006 by Dominique Blais.




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Sportscar motor rotating at around 800 revolutions, reduced to 33 revolutions by a gearbox, playing records on a turntable mounted to the engine block.

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Bicycle playing a 7 inch record mounted to the back wheel. Both projects by Alexander Laner. Further vinyl based projects: Helmut Smits and Jeroen Diepenmaat.




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Stuffed birds play records by putting their beak into the groove.

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»loop/loop« is a recordplayer that changes its pitch depending on the walking speed.

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In the instalation »in honour of a new affair«, a needle is installed above each recordplayer that connects the vinyl with the large pieces of paper. The sound of the records are being transported to the paper and the paper makes it audible. The needle constantly changes its position, due to the wind. All three projects by Jeroen Diepenmaat.




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Paper Record Player. To play the record the handle needs to be turned in a clockwise direction at a steady 331/3 rpm. The paper cone then acts as a pick up and amplifies the sound enough to make it audible.

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FM Radio Map. This map plots the location of FM commercial and pirate radio stations within London. The poster works in its own right as a piece of information design, but when connected to the modified radio it becomes part of the interface. Placing a metal contact onto each point enables us to listen to the sound broadcast live from that location. By Simon Elvins.




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»The Real Thing« is an installation to filter Coca-Cola into clean drinking water. By Helmut Smits from 2006.

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»Quarter Pipe« from 2005. Materials: wood, mirror, vinyl. Also by Helmut Smits.

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»LP Bike« from 1999 plays a record attached to the front wheel. The cycling speed influences the sound. Another project by Helmut Smits.




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Yokomono consists of 10 small car-shaped record players, a corresponding set of FM radios and two mixing desks. The cars, known as “vinyl killers,” have been customised with wireless FM transmitters. As they spin around the vinyl, they transmit their signal to the FM radios tuned to a special Yokomono frequency. This transmission is then mixed, edited and manipulated in real-time by members of the Staalplaat Soundsystem.

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Further sound installations by Staalplat Soundsystem.




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