“The Analog Color Field Computer”, 2006 by Gregory Shakar.
»RGB vs CMJN«, 2008 by Betrand Planes.
“Reflecting on capture” by Anna Wignell. The medium is reduced to its constituents, to parameters like updating frequency, resolution, format. The incoming camera images obtained in the gallery itself are being processed in real-time. By being produced by three spotlights projecting red, green and blue light, equivalent to the colour system RGB, the images are being reduced to a single colour, constituting a single medium of the original complexity. The existing audio is being captured by microphones. The captured sounds most dominant frequency range is discerned and played back as sinusiodal tones. The real tone and amplitude is being reproduced synchronizing with the shift of the image.
“Flags” from the series “Celebrating RGB color space” and
“Back drop #1” from the series “Body of light” by Katja Mater.
In “The John Cage Autograph” RGB values of the image are converted to chromatic scale piano sounds. By Steffen Kasperavicius.
“Heliography” (study), RGB Mirrors. Video.
“Rudolph”, lasers, fog. Video. Works by Christopher Musgrave.
“Bee Trilogy”, Three LED sculptures with sound, based on observations of bees.
“Close-up”, People are invited to have their picture taken by a camera as they enter the BBC building. The portraits are added to an ever-increasing database whose contents are then displayed through translucent LED screens installed along the ceiling. Projects by Ron Haselden.
“Wallfilm” 1982 performance. Out of 48 bricks a wall is built in the darkness, during which time the wall functions as a projection-surface. Onto the wall is projected a film, showing the wall beeing dismantled with the same speed.
“Untitled” 1988; “Warsteiner” 1987; “Untitled” 1993 and other work by Dieter Kiessling.